Charlie Chaplin, Alfred Newman made "Alone and Hungry" available on February 17, 2017. With Alone and Hungry being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Charlie Chaplin, Alfred Newman's "Modern Times" album is number 10 out of 19. On top of that, France appears to be the country where this track was created. In terms of popularity, Alone and Hungry is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Alone and Hungry by Charlie Chaplin, Alfred Newman to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rusalka, Op. 114, B. 203 / Act 1: O Silver Moon [Rusalka] | Antonín Dvořák, Renée Fleming, London Symphony Orchestra, Sir Georg Solti | F♯ Major | 1 | 2B | 176 BPM | ||
Main Title (Film Version With Effects) | Franz Waxman | A Minor | 5 | 8A | 131 BPM | ||
Core 'ngrato (1911 Recording) | Enrico Caruso | E♭ Major | 2 | 5B | 70 BPM | ||
Gianni Schicchi, Aria: O mio babbino caro | Giacomo Puccini, Montserrat Caballé, Josè Collado | A♭ Major | 2 | 4B | 89 BPM | ||
The Sting | Audrey, the Hepburns | B Minor | 2 | 10A | 110 BPM | ||
Kleine Dreigroschenmusik (Little Threepenny Music): The Moritat of Mack The Knife (Moderato assai) | Kurt Weill, Members Of The London Symphony Orchestra, Michael Tilson Thomas | A Minor | 1 | 8A | 177 BPM | ||
Aida: Act II: Marcia | Giuseppe Verdi, Maria Dragoni, Kristjan Johannsson, Barbara Dever, Mark Rucker, Francesco Ellero d' Artegna, Riccardo Ferrari, Antonio Marcenò, Monica Trini, Colin Mawby, RTÉ Philharmonic Choir, RTE Chamber Choir, Culwick Choral Society, Bray Choral Society, Dublin County Choir, Dun Laoghaire Choral Society, Cantabile Singers, Goethe Institut Choir, Musica Sacra, The Phoenix Singers, RTÉ National Symphony Orchestra, Irish Army No. 1 Band, Ricco Saccani | A♭ Major | 1 | 4B | 112 BPM | ||
Madame Butterfly, 1. Akt: Vogliatemi bene (Mona Lisa): Act II: Humming Chorus | Giacomo Puccini, Jozef Abel, Nelly Boschkowa, Miriam Gauci, Helena Hanzelova, Vladimir Kubovcik, Alžbeta Michálková, Yordy Ramiro, Jozef Spacek, Maria Stahelova, Robert Szücs, Georg Tichy, Ana Tomkovicova, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | B♭ Major | 0 | 6B | 83 BPM | ||
It's Paradise (The Shack) | Charlie Chaplin | D Major | 2 | 10B | 74 BPM | ||
Party Preparations - Instrumental | Rachel Portman | G Minor | 2 | 6A | 166 BPM |
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