"Duo Concertant for 2 Violins No. 3 in D Major, Op. 57: II. Adagio cantabile sostenuto" by Charles-Auguste de Bériot, Bohumil Kotmel, Pavel Hula was released on January 1, 1993. With this song being about 5 minutes long, at 5:06, "Duo Concertant for 2 Violins No. 3 in D Major, Op. 57: II. Adagio cantabile sostenuto" by Charles-Auguste de Bériot, Bohumil Kotmel, Pavel Hula is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Pavel Hula, Bohumil Kotmel's "Leclair, Viotti, Spohr, Beriot: Due virtuosi" album is number 11 out of 12. In terms of popularity, Duo Concertant for 2 Violins No. 3 in D Major, Op. 57: II. Adagio cantabile sostenuto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Duo Concertant for 2 Violins No. 3 in D Major, Op. 57: II. Adagio cantabile sostenuto by Charles-Auguste de Bériot, Bohumil Kotmel, Pavel Hula to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brandenburg Concerto No. 3 in G major, BWV 1048: Allegro | Rudolf Baumgartner | G Major | 6 | 9B | 122 BPM | ||
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Chaconne In G Minor For Violin And Organ | Tomaso Antonio Vitali, William Neil, Heather LeDoux Green, Sylvia Alimena, Eclipse Chamber Orchestra | A Minor | 0 | 8A | 96 BPM | ||
Egmont, Op. 84: Overture | Ludwig van Beethoven, Madeleine Pierard, Claus Obalski, New Zealand Symphony Orchestra, James Judd | F Minor | 1 | 4A | 173 BPM | ||
Violin Concerto No. 1 in D Major, Op. 6: II. Adagio | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 1 | 10A | 125 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
Chaminade: Flute Concertino, Op. 107 | Cécile Chaminade, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | D Major | 1 | 10B | 83 BPM | ||
Le roi des aulnes, Op. 26 (after Schubert's Erlkonig) | Heinrich Wilhelm Ernst, Josef Spacek | C Major | 3 | 8B | 129 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM |
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