Vincenzo Bellini, Luisa Tetrazzini, Walter B. Rogers's 'La Sonnambula: Ah! non credea mirarti (Recorded 1911)' came out on January 1, 1998. With this song being about 5 minutes long, at 4:38, "La Sonnambula: Ah! non credea mirarti (Recorded 1911)" by Vincenzo Bellini, Luisa Tetrazzini, Walter B. Rogers is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "Tetrazzini Vol. 2". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. La Sonnambula: Ah! non credea mirarti (Recorded 1911) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Sonnambula: Ah! non credea mirarti (Recorded 1911) by Vincenzo Bellini, Luisa Tetrazzini, Walter B. Rogers having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma (1997 Digital Remaster), ACT 1, Scene 1: Introduction (Orchestra) ... Ite sul colle (Oroveso/Coro) | Vincenzo Bellini, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | G Major | 1 | 9B | 95 BPM | ||
I Puritani / Act 1: Ah! per sempre io ti perdei | Vincenzo Bellini, Piero Cappuccilli, Renato Cazzaniga, London Symphony Orchestra, Richard Bonynge | G Major | 2 | 9B | 74 BPM | ||
Verdi: La traviata, Act 1: "Sempre libera" (Violetta, Alfredo) | Giuseppe Verdi, Maria Callas, Gabriele Santini, Orchestra Sinfonica della RAI | A♭ Major | 1 | 4B | 115 BPM | ||
La Gioconda / Act 2: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM | ||
Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM | ||
Vaga luna che inargenti | Vincenzo Bellini, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | B Major | 2 | 1B | 86 BPM | ||
La Gioconda / Act 1: "Voce di donna o d'angelo" | Amilcare Ponchielli, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | E♭ Major | 1 | 5B | 78 BPM | ||
Puccini: Messa di Gloria: XVI. Agnus Dei qui tollis peccata mundi | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano, Roberto Alagna, Thomas Hampson | C Major | 1 | 8B | 136 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM |
Section: 0.7705504894256592
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