"O primavera! - Voice" by Pier Adolfo Tirindelli, Carlo Bergonzi was released on 1959. The duration of O primavera! - Voice is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. O primavera! - Voice's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 35 in the song's album "The Great Carlo Bergonzi". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. O primavera! - Voice is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With O primavera! - Voice by Pier Adolfo Tirindelli, Carlo Bergonzi having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Fanciulla del West / Act 1: Laggiù nel Soledad | Giacomo Puccini, Carol Neblett, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | F Major | 4 | 7B | 143 BPM | ||
Haugtussa, Op. 67: VII. Vond dag | Charlotte Hoather, George Todica | B♭ Minor | 1 | 3A | 58 BPM | ||
Iolanthe: Go Away Madam | Elizabeth Woollett, Jill Pert, Richard Suart, New D'Oyly Carte Opera | E♭ Major | 2 | 5B | 52 BPM | ||
A Child of our Time, Part I: How can I cherish my man in such days...? (Soprano) | Michael Tippett, Pumeza Matshikiza, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Portami via! - Version for Voice and Orchestra, Full Vocal Version | Pier Adolfo Tirindelli, Compagnia D'Opera Italiana, Antonello Gotta, Alessandra Notarnicola | G Minor | 3 | 6A | 78 BPM | ||
Puts: The Hours, Act 2: "Mm... ’Stead of Jousting You’d Rather…" (Mrs. Latch, Richie, Laura, Clarissa, Virginia, Leonard, Nelly) [Live] | Kevin Puts, Yannick Nézet-Séguin, Eve Gigliotti, Joyce DiDonato, Kai Edgar, Kathleen Kim, Kelli O'Hara, Renée Fleming, Sean Panikkar, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
The Bartered Bride: ACT I, Jeník, Mařenka Jako matka požehnáním | Bedřich Smetana, Tomáš Juhás, Jiří Bělohlávek, BBC Symphony Orchestra, Dana Buresova | B♭ Major | 1 | 6B | 71 BPM | ||
Puccini: Turandot, Act 1: "Non piangere, Lui!" (Calaf, Liù, Timur) | Giacomo Puccini, Eugenio Fernandi, Elisabeth Schwarzkopf, Nicola Zaccaria, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Elisabeth Schwarzkopf, Eugenio Fernandi, Nicola Zaccaria, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | F♯ Major | 2 | 2B | 78 BPM | ||
Rodrigo: Trovadoresca (Live) | Joaquín Rodrigo, Victoria de los Ángeles, Gerald Moore | G Major | 2 | 9B | 74 BPM | ||
Puts: The Hours, Act 2: "It's Happened - I Thought I’d Be Overjoyed, Richard!" (Leonard, Clarissa, Chorus) [Live] | Kevin Puts, Yannick Nézet-Séguin, Metropolitan Opera Chorus, Renée Fleming, Sean Panikkar, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM |
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