"Puts: The Hours, Act 2: "It's Happened - I Thought I’d Be Overjoyed, Richard!" (Leonard, Clarissa, Chorus) [Live]" by Kevin Puts, Yannick Nézet-Séguin, Metropolitan Opera Chorus, Renée Fleming, Sean Panikkar, Metropolitan Opera Orchestra was released on April 26, 2024. With Puts: The Hours, Act 2: "It's Happened - I Thought I’d Be Overjoyed, Richard!" (Leonard, Clarissa, Chorus) [Live] being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "Puts: The Hours (Live)". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United States. Puts: The Hours, Act 2: "It's Happened - I Thought I’d Be Overjoyed, Richard!" (Leonard, Clarissa, Chorus) [Live] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puts: The Hours, Act 2: "It's Happened - I Thought I’d Be Overjoyed, Richard!" (Leonard, Clarissa, Chorus) [Live] by Kevin Puts, Yannick Nézet-Séguin, Metropolitan Opera Chorus, Renée Fleming, Sean Panikkar, Metropolitan Opera Orchestra having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2: I. Sostenuto - Allegro molto | Kurt Weill, Konzerthausorchester Berlin, Joana Mallwitz | F Minor | 2 | 4A | 169 BPM | ||
Adams: Girls of the Golden West, Act I Scene 2: Now he consoles himself | John Adams, Los Angeles Philharmonic, Julia Bullock | A Major | 0 | 11B | 79 BPM | ||
Villanelle | Cécile Chaminade, Sivan Goldman, Shira Shaked | C Major | 2 | 8B | 53 BPM | ||
Labsente | Cécile Chaminade, Sivan Goldman, Shira Shaked | C Major | 2 | 8B | 78 BPM | ||
Akt I: Durch Mitleid wissend | Richard Wagner, Stefan Cerny, Philippe Jordan | A♭ Major | 1 | 4B | 76 BPM | ||
Canyon III, Canyon | Kevin Puts, Brian Baldauff | D Minor | 1 | 7A | 150 BPM | ||
Simaku | Kevin Puts, Antares | G Major | 1 | 9B | 106 BPM | ||
Ecos de Eternidad: I Saludos II | Jan Sandström, Christian Lindberg, Pedro Carrero, Símon Bolívar Symphony Orchestra | G Major | 1 | 9B | 175 BPM | ||
In At The Eye: I. Drinking Song | Kevin Puts, Timothy Jones, Stephanie Jutt, Stephanie Sant'Ambrogio, Anthony Ross, Jeffrey Sykes | D Minor | 2 | 7A | 124 BPM | ||
Bilder aus Osten, Op. 66 (Arr. for String Orchestra by Friedrich Hermann): II. Nicht schnell und sehr gesangvoll zu spielen | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | D♭ Major | 0 | 3B | 71 BPM |
Section: 0.6025891304016113
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