On 1957, the song "Partita No. 3 in A Minor, BWV 827: I. Fantasia" was released by Johann Sebastian Bach, Glenn Gould. With Partita No. 3 in A Minor, BWV 827: I. Fantasia being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Glenn Gould's "Glenn Gould plays Bach: 6 Partitas BWV 825-830; Chromatic Fantasy BWV 903; Italian Concerto BWV 971; The Art of the Fugue BWV 1080 (excerpts); Preludes, Fugues & Fantasies" album is number 13 out of 90. In terms of popularity, Partita No. 3 in A Minor, BWV 827: I. Fantasia is currently below average in popularity. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Partita No. 3 in A Minor, BWV 827: I. Fantasia by Johann Sebastian Bach, Glenn Gould to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 1/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Prelude and Fugue No. 19 in A Major, BWV 864: Prelude | Johann Sebastian Bach, Glenn Gould | A Major | 4 | 11B | 100 BPM | ||
Fantasia No. 1 in G Major "Voluntary for My Lady Nevell" | William Byrd, Glenn Gould | G Major | 1 | 9B | 91 BPM | ||
Piano Concerto No. 1 C Major, Op. 15: Cadenza by Glenn Gould | Ludwig van Beethoven, Glenn Gould, Vladimir Golschmann, Columbia Symphony Orchestra | C Major | 3 | 8B | 92 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Keyboard Sonata No. 56 in D Major, Hob. XVI:42: I. Andante con espressione | Franz Joseph Haydn, Glenn Gould | E♭ Major | 1 | 5B | 134 BPM | ||
Concerto for Strings in G Minor, RV 156: II. Adagio | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Suite en La: Courante | Jean-Philippe Rameau, Alexandre Tharaud | A Minor | 1 | 8A | 120 BPM | ||
Trio for Oboe, Bassoon and Piano, FP 43: Andante: Andante con moto | Francis Poulenc, Olivier Doise, Laurent Lefèvre, Alexandre Tharaud | D Major | 0 | 10B | 169 BPM | ||
Piano Sonata No. 8 in A Minor, K. 310: III. Presto | Wolfgang Amadeus Mozart, Glenn Gould | A Minor | 3 | 8A | 123 BPM |
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