"Symphony No. 8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Bei der Liebe, die den Fussen"" by Gustav Mahler, Heather Harper, Yvonne Minton, Helen Watts, Chicago Symphony Orchestra, Sir Georg Solti was released on January 1, 1972. With this song being about 5 minutes long, at 4:54, "Symphony No. 8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Bei der Liebe, die den Fussen"" by Gustav Mahler, Heather Harper, Yvonne Minton, Helen Watts, Chicago Symphony Orchestra, Sir Georg Solti is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Gustav Mahler, Heather Harper, Lucia Popp, Arleen Auger, Yvonne Minton, Helen Watts, René Kollo, John Shirley-Quirk, Martti Talvela, Vienna Boys' Choir, Wiener Singverein, Vienna State Opera Chorus, Chicago Symphony Orchestra, Sir Georg Solti's "Mahler: Symphony No.8" album is number 13 out of 16. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Symphony No. 8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Bei der Liebe, die den Fussen" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Bei der Liebe, die den Fussen" by Gustav Mahler, Heather Harper, Yvonne Minton, Helen Watts, Chicago Symphony Orchestra, Sir Georg Solti to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le tombeau de Couperin, M. 68: II. Forlane | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | E♭ Major | 0 | 5B | 78 BPM | ||
Capriccio espagnol, Op. 34: III. Alborada | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | B♭ Major | 2 | 6B | 133 BPM | ||
String Quartet No.12 in F major, Op.96 - "American" B.179: 2. Lento | Antonín Dvořák, Hagen Quartett | D Minor | 1 | 7A | 88 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Veni creator spiritus" | Gustav Mahler, Vienna State Opera Chorus, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 5 | 4B | 132 BPM | ||
Symphony No. 1 in G Minor, Op. 13, TH 24, "Winter Daydreams": III. Scherzo. Allegro scherzando giocoso | Pyotr Ilyich Tchaikovsky, Mariss Jansons, Oslo Philharmonic Orchestra | C Minor | 0 | 5A | 115 BPM | ||
Symphony No. 5 in C Minor, Op. 67: III. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 1 | 4B | 82 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Le tombeau de Couperin, M. 68: III. Menuet | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | G Major | 0 | 9B | 84 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance I | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 97 BPM | ||
Piano Quintet in E-Flat Major, Op. 44: IV. Finale (Allegro, ma non troppo) | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | E♭ Major | 2 | 5B | 133 BPM |
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