Francisco António de Almeida, Joao Fernandes, Fernando Guimarães, Os Músicos do Tejo, Marcos Magalhaes made "Il trionfo d'amore, Pt. 2: Part II: Recitativo: Ma perche sia perfetto (Mirenio, Adraste)" available on October 2, 2015. With Il trionfo d'amore, Pt. 2: Part II: Recitativo: Ma perche sia perfetto (Mirenio, Adraste) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 18 out of 39 in Almeida: Il trionfo d'amore by Francisco António de Almeida, Ana Quintans, Carlos Mena, Joana Seara, Fernando Guimarães, Marcos Magalhaes. Il trionfo d'amore, Pt. 2: Part II: Recitativo: Ma perche sia perfetto (Mirenio, Adraste) is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Il trionfo d'amore, Pt. 2: Part II: Recitativo: Ma perche sia perfetto (Mirenio, Adraste) by Francisco António de Almeida, Joao Fernandes, Fernando Guimarães, Os Músicos do Tejo, Marcos Magalhaes is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute Concerto in G Major, QV 5:165: III. Presto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | F Major | 1 | 7B | 107 BPM | ||
Un sonno ohimè | Marco Marazzoli, Eva Zaïcik, Marc Mauillon, Le Poème Harmonique, Vincent Dumestre | D Minor | 1 | 7A | 169 BPM | ||
Sonata a 2, and Basso Continuo: I. Allegro | Anonymous, Florilegium | E♭ Minor | 0 | 2A | 83 BPM | ||
Concerto Á 5 In E Minor: 1. Allegro non molto | Pierre-Gabriel Buffardin, Musica Antiqua Köln, Reinhard Goebel | E♭ Minor | 1 | 2A | 106 BPM | ||
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM | ||
Il trionfo d'amore, Introduzione: Introduzione: Sinfonia: Andante | Francisco António de Almeida, Os Músicos do Tejo, Marcos Magalhaes | A Major | 0 | 11B | 111 BPM | ||
La Spinalba, ovvero Il vecchio matto: Overtura: Minuet | Francisco António de Almeida, Ana Quintans, Joao Fernandes, Joana Seara, Luis Rodrigues, Catia Moreso, Mário Alves, Ines Madeira, Fernando Guimarães, Musicos do Tejo, Os, Marcos Magalhaes | A♭ Major | 1 | 4B | 175 BPM | ||
The Seven Last Words of Christ, Hob.XX:2: Sonata II "Fürwahr, ich sag' es dir" (Grave e cantabile) | Franz Joseph Haydn, Cuarteto Casals | C Minor | 0 | 5A | 77 BPM | ||
Le Bourgeois Gentilhomme - Comédie-Ballet, LWV 43: Ouverture | Jean-Baptiste Lully, Gustav Leonhardt, La Petite Bande | F♯ Minor | 1 | 11A | 106 BPM | ||
Forqueray, A: Pièces de viole, Suite No. 5 en ut mineur: VI. La Sylva. Très tendrement | Antoine Forqueray, Jean Rondeau | B Minor | 1 | 10A | 83 BPM |
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