Ich armer Mensch, ich Sundenknecht, BWV 55: Recitative: Ich habe wider Gott gehandelt (Tenor) - Johann Sebastian Bach, James Gilchrist, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner Information

Acousticness: 96%
Danceability: 38%
Energy: 6%
Instrumentalness: 0%
Liveness: 18%
Loudness: 65%
Speechiness: 4%
Valence: 23%
Popularity: 8%
Loudness: -21.269 dB

Summary

Johann Sebastian Bach, James Gilchrist, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner's 'Ich armer Mensch, ich Sundenknecht, BWV 55: Recitative: Ich habe wider Gott gehandelt (Tenor)' came out on October 26, 2010. With Ich armer Mensch, ich Sundenknecht, BWV 55: Recitative: Ich habe wider Gott gehandelt (Tenor) being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 47 in Bach: Cantatas, Vol. 12 by Johann Sebastian Bach, John Eliot Gardiner. The popularity of Ich armer Mensch, ich Sundenknecht, BWV 55: Recitative: Ich habe wider Gott gehandelt (Tenor) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Ich armer Mensch, ich Sundenknecht, BWV 55: Recitative: Ich habe wider Gott gehandelt (Tenor) BPM

The tempo marking of Ich armer Mensch, ich Sundenknecht, BWV 55: Recitative: Ich habe wider Gott gehandelt (Tenor) by Johann Sebastian Bach, James Gilchrist, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.

Ich armer Mensch, ich Sundenknecht, BWV 55: Recitative: Ich habe wider Gott gehandelt (Tenor) Key

This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Vivaldi: Cello Sonata No. 1 in B-Flat Major, Op. 14, RV 47: IV. Allegro	Antonio Vivaldi, Paul Tortelier	F Major	1	7B	124 BPM
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits	Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra	D Minor	1	7A	67 BPM
Handel: Concerto grosso in F Major, Op. 3 No. 4, HWV 315: II. Andante	George Frideric Handel, English Baroque Soloists, John Eliot Gardiner	D Major	2	10B	125 BPM
Cello Suite No. 6 in D Major, BWV 1012: I. Prélude	Johann Sebastian Bach, Yo-Yo Ma	D Major	2	10B	104 BPM
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses	François Couperin, Alexandre Tharaud	B♭ Major	1	6B	111 BPM
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major	Johannes Brahms, Idil Biret	A♭ Minor	3	1A	111 BPM
Kleine Präludien: No.3 in D Minor, BWV 926	Inge Rosar	D Minor	1	7A	83 BPM
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano	Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach	E♭ Major	1	5B	103 BPM
Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande	George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields	D Minor	0	7A	116 BPM
Kol Nidrei - Adagio For Cello, Opus 47	Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim	D Major	1	10B	81 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6850755214691162

End: 0.689089298248291