"Die Frau ohne Schatten, Op. 65, TrV 234 / Act 2: Es gibt derer, die haben immer Zeit - Live" by Richard Strauss, Birgit Nilsson, Walter Berry, Ruth Hesse, Vienna State Opera Orchestra, Karl Böhm was released on January 1, 1985. The duration of Die Frau ohne Schatten, Op. 65, TrV 234 / Act 2: Es gibt derer, die haben immer Zeit - Live is about 3 minutes long, at 3:20. Based on our data, "Die Frau ohne Schatten, Op. 65, TrV 234 / Act 2: Es gibt derer, die haben immer Zeit - Live" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 39 in the song's album "Strauss, R.: Die Frau ohne Schatten". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. Die Frau ohne Schatten, Op. 65, TrV 234 / Act 2: Es gibt derer, die haben immer Zeit - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die Frau ohne Schatten, Op. 65, TrV 234 / Act 2: Es gibt derer, die haben immer Zeit - Live by Richard Strauss, Birgit Nilsson, Walter Berry, Ruth Hesse, Vienna State Opera Orchestra, Karl Böhm having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salome, Op. 54 / Scene 3: "Du bist verflucht" | Richard Strauss, Cheryl Studer, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | C Minor | 0 | 5A | 64 BPM | ||
Première rhapsodie, L. 116: Rêveusement lent | Claude Debussy, Franklin Cohen, Cleveland Orchestra, Pierre Boulez | E♭ Minor | 0 | 2A | 109 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM | ||
2 Pieces for Piano Quartet, TrV 169: No. 2. Liebesliedchen | Richard Strauss, Amelia Piano Trio, Max Mandel | D Minor | 1 | 7A | 144 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Symphony No. 4 in F Minor, Op. 36: IV. Finale. Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Gianandrea Noseda, London Symphony Orchestra | F Major | 3 | 7B | 76 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: I. Allegro con brio | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 139 BPM | ||
Poulenc: Concerto for Two Pianos in D Minor, FP 61: II. Larghetto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | B♭ Major | 0 | 6B | 84 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Introduction - Augurs of Spring - Dances of the Young Girls - Ritual of Abduction | Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 103 BPM | ||
Violin Concerto in D Major, Op. 35: I. Moderato nobile | Erich Wolfgang Korngold, Jascha Heifetz, Alfred Wallenstein | G Major | 3 | 9B | 111 BPM |
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