"Préludes, Book I, L. 117: X. La Cathédrale engloutie (The Sunken Cathedral)" by Peter Schmalfuss was released on November 15, 2019. Since Préludes, Book I, L. 117: X. La Cathédrale engloutie (The Sunken Cathedral) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 38 out of 50 in Classical Piano Essentials by Various Artists. Based on our statistics, Préludes, Book I, L. 117: X. La Cathédrale engloutie (The Sunken Cathedral)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Préludes, Book I, L. 117: X. La Cathédrale engloutie (The Sunken Cathedral) by Peter Schmalfuss is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, Opera Suite No. 1: III. Intermezzo, Act 3 | London Festival Orchestra Alfred Scholz | E♭ Major | 0 | 5B | 134 BPM | ||
Sonate in Es-Dur für Klarinette und Klavier, Op. 167: II. Allegro animato | Camille Saint-Saëns, Carl Baermann, Elisabeth Ganter, Peter Schmalfuss | A♭ Major | 1 | 4B | 90 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
Violin Concerto In D Major, Op. 35: Violin Concerto In D Major, Op. 35: II. Canzonetta: Andante | Slovak Philharmonic, Takako Nishizaki, Pyotr Ilyich Tchaikovsky | E♭ Major | 0 | 5B | 177 BPM | ||
Prelude In C | Nicolai Kureschky | C Major | 1 | 8B | 81 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2, "Moonlight": I. Adagio sostenuto | Dubravka Tomšič | D♭ Minor | 0 | 12A | 72 BPM | ||
The Seasons, Op. 37a: VI. June - Barcarolle | Pyotr Ilyich Tchaikovsky, Lang Lang | G Minor | 0 | 6A | 64 BPM | ||
Piano Sonata No.14 in C Sharp Minor, Op.27/2 "Moonlight": III. Presto agitato | Josef Bulva | F♯ Minor | 1 | 11A | 83 BPM | ||
Dvořák: Czech Suite in D Major, Op. 39, B. 93: IV. Romanza | Antonín Dvořák, Czech Philharmonic Orchestra, Libor Pešek | D Major | 0 | 10B | 87 BPM | ||
Fauré Pavane | Gabriel Fauré, David Parry, London Philharmonic Orchestra | F♯ Minor | 1 | 11A | 83 BPM |
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