Prelude In C - Nicolai Kureschky Information

Acousticness
99%
Danceability
32%
Energy
12%
Instrumentalness
81%
Liveness
12%
Loudness
52%
Speechiness
4%
Valence
38%
Popularity
Loudness
-28.779 dB

Summary

Nicolai Kureschky's 'Prelude In C' came out on January 1, 1998. With Prelude In C being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Piano Romantica". In this album, this song's track order is #21. Furthermore, we believe that the track originated from Australia. Prelude In C is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Prelude In C BPM

With Prelude In C by Nicolai Kureschky having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Prelude In C Key

This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Grieg: Peer Gynt, Op. 23, Act 4: Prelude. Morning Mood by Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville MarrinerGrieg: Peer Gynt, Op. 23, Act 4: Prelude. Morning MoodEdvard Grieg, Academy of St. Martin in the Fields, Sir Neville MarrinerE Major012B137 BPM
Piano Sonata No. 17 in D Minor, Op. 31 No . 2 Piano Sonata No. 17 in D Minor, Op. 31 No . 2 "The Tempest": III. AllegrettoLudwig van Beethoven, Herbert WaltlD Minor07A137 BPM
Etude No.12 Op.10-12 C Minor 'Revolution' by Sylvia Capova, Peter Schmalfuss, Josef Bulva, Leonard Hokanson, Marian Pivka, Dieter GoldmannEtude No.12 Op.10-12 C Minor 'Revolution'Sylvia Capova, Peter Schmalfuss, Josef Bulva, Leonard Hokanson, Marian Pivka, Dieter GoldmannF Minor14A98 BPM
Debussy: Rêverie, CD 76, L. 68 by Claude Debussy, Aldo CiccoliniDebussy: Rêverie, CD 76, L. 68Claude Debussy, Aldo CiccoliniF Major07B76 BPM
Drei Walzer für Klavier in C-Sharp Minor, Op. 64, Nr. 2: Walzer Nr. 7 by Sylvia CapovaDrei Walzer für Klavier in C-Sharp Minor, Op. 64, Nr. 2: Walzer Nr. 7Sylvia CapovaD♭ Minor112A68 BPM
Solveig's Song by Le grand orchestre classique, Charles Gerhardt, London Promenade OrchestraSolveig's SongLe grand orchestre classique, Charles Gerhardt, London Promenade OrchestraA Minor18A74 BPM
Suite Bergamasque: III. Clair de Lune by Peter SchmalfussSuite Bergamasque: III. Clair de LunePeter SchmalfussD♭ Major03B130 BPM
Adagio in G Minor by Tomaso Albinoni, Vladimir Fedoseyev, Moscow RTV Symphony OrchestraAdagio in G MinorTomaso Albinoni, Vladimir Fedoseyev, Moscow RTV Symphony OrchestraA Minor08A129 BPM
Salut d'amour, Op. 12 by Edward Elgar, Kyung Wha Chung, Phillip MollSalut d'amour, Op. 12Edward Elgar, Kyung Wha Chung, Phillip MollE Major112B175 BPM
Reverie by Nicolai KureschkyReverieNicolai KureschkyF Major07B136 BPM
ISRC
AUZG00703556
Label
L-M Records/RCA Records

Section: 0.7085530757904053

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