Francesco Geminiani, Concerto Köln made "Concerto grosso, Op. 7, No. 6 in B-Flat Major: IV. Allegro moderato" available on September 20, 2019. With Concerto grosso, Op. 7, No. 6 in B-Flat Major: IV. Allegro moderato being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Francesco Geminiani, Concerto Köln's "Geminiani: Quinta Essentia" album is number 31 out of 34. In terms of popularity, Concerto grosso, Op. 7, No. 6 in B-Flat Major: IV. Allegro moderato is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Concerto grosso, Op. 7, No. 6 in B-Flat Major: IV. Allegro moderato by Francesco Geminiani, Concerto Köln to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonate concertate in stil moderno, Book 2: No. 10, Sonata à 3 | Dario Castello, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
Organ Concerto No. 16 in F Major, HWV 305a: IV. Adagio | George Frideric Handel, George Malcolm, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 0 | 7A | 91 BPM | ||
Concerto Armonico No. 1 in G Major: Allegro | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 2 | 2B | 121 BPM | ||
Symphony in E-Flat Major, W. I/10: II. Andante assai | Johann Christoph Friedrich Bach, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | C Minor | 1 | 5A | 171 BPM | ||
Correnti e balletti, Op. 4: No. 33, Ciaconna | Maurizio Cazzati, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
Concerto 1 in D Minor, Op. 7: III. Vivace | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 142 BPM | ||
Overture No. 6 in B-Flat Major: IV. Menuett | Francesco Maria Veracini, Arte dell'Arco, Federico Guglielmo | A Major | 1 | 11B | 73 BPM | ||
Concerto, D-Major, For Strings And Organ, RV 124: II. Grave | Musici di San Marco, Alberto Lizzio | B♭ Minor | 0 | 3A | 143 BPM | ||
Concerto Armonico No. 2 in B-Flat Major: Largo andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 1 | 12B | 106 BPM |
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