Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra's 'Carmen (1997 - Remaster), Act III: Quelques lignes plus bas' came out on 1964. Carmen (1997 - Remaster), Act III: Quelques lignes plus bas appears to be safe for all ages as it is not explicit. The song is number 14 out of 39 in Bizet: Carmen by Georges Bizet, Maria Callas, Georges Prêtre. Carmen (1997 - Remaster), Act III: Quelques lignes plus bas is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen (1997 - Remaster), Act III: Quelques lignes plus bas by Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Wally (1997 Digital Remaster): Ebben?...Ne andrò lontana | Maria Callas, Tullio Serafin, Philharmonia Orchestra | C Major | 2 | 8B | 71 BPM | ||
Lucia di Lammermoor / Act 2: "Soffriva nel pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 4 | 10B | 108 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Ancor non giunse?" (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Anna Maria Canali, Tullio Serafin, Orchestra del Maggio Musicale Fiorentino | A Major | 1 | 11B | 184 BPM | ||
Pagliacci / Act 1: "Recitar!" | Ruggero Leoncavallo, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre | F Major | 2 | 7B | 87 BPM | ||
Carmen (1997 - Remaster), Act III: Eh bien? | Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | A Major | 1 | 11B | 75 BPM | ||
Bizet: Carmen, WD 31, Act 3, Scene 1: "Quant au douanier, c'est notre affaire !" (Frasquita, Mercedes, Carmen, Chœur, Le Remendado, Le Dancaïre) | Georges Bizet, Giuseppe Sinopoli, Chor der Bayerischen Staatsoper, Jan Zinkler, Jennifer Larmore, Natascha Petrinsky, Nathalie Boissy, Ulrich Ress, Bavarian State Orchestra | F♯ Major | 1 | 2B | 118 BPM | ||
Il Turco in Italia (1997 - Remaster), Act I: Non si da follia maggiore | Gioachino Rossini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Gianandrea Gavazzeni, Orchestra Del Teatro Alla Scala Di Milan | A♭ Major | 1 | 4B | 116 BPM | ||
Samson et Dalila (1997 Digital Remaster): Mon coeur s'ouvre à ta voix. | Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise, Maria Callas | D♭ Major | 1 | 3B | 81 BPM | ||
Gluck: Alceste, Wq. 37, Act 2: "Spendido sorge il di" (Chorus) [Live] | Christoph Willibald Gluck, Maria Callas, Carlo Maria Giulini, Orchestra Del Teatro Alla Scala, Milano | A Major | 2 | 11B | 71 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: Cavatina. "Porgi, amor" (Contessa) | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 3 | 9B | 83 BPM |
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