"The Bokharian Dervish, Hadji-Asvatz-Troov" by Georges Ivanovitch Gurdjieff, Mario Sollazzo was released on January 9, 2015. The duration of The Bokharian Dervish, Hadji-Asvatz-Troov is about 3 minutes long, at 3:01. Based on our data, "The Bokharian Dervish, Hadji-Asvatz-Troov" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Georges Ivanovitch Gurdjieff, Mario Sollazzo's "Gurdjieff De Hartmann: Echoes from the Real World" album is number 16 out of 21. The Bokharian Dervish, Hadji-Asvatz-Troov is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Bokharian Dervish, Hadji-Asvatz-Troov by Georges Ivanovitch Gurdjieff, Mario Sollazzo to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Lark Ascending: I. Andante sostenuto | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | E Minor | 0 | 9A | 91 BPM | ||
Cello Sonata in B-Flat Major, Op. 46: II. Andante sostenuto | Louise Farrenc, David Berlin, Benjamin Martin | E♭ Major | 0 | 5B | 116 BPM | ||
Nocturne (Arr. for Solo Violin and Piano) | Dobrinka Tabakova, Mari Samuelsen, Julien Quentin | C Minor | 5 | 5A | 122 BPM | ||
Miniature No. 1 | Giya Kancheli, Andrea Cortesi, Marco Venturi | E Minor | 0 | 9A | 74 BPM | ||
Melodies of the Upper Worlds (Arr. M. Ayrapetyan for Piano): I. Draw Close to Me | Baal HaSulam, Mikael Ayrapetyan | B Minor | 0 | 10A | 86 BPM | ||
Música callada, Book 1: No. 1, Angelico | Federico Mompou, Lilit Grigoryan | A Minor | 0 | 8A | 67 BPM | ||
Pavane, Op. 50 (arr. H. Busser for cello and piano) | Gabriel Fauré, Henri Büsser, Ina-Esther Joost Ben-Sasson, Allan Sternfield | F♯ Minor | 1 | 11A | 149 BPM | ||
Five Pieces For Violin And Piano: I. Elegia (Andante Larghetto) | Valentin Silvestrov, Duo Gazzana | E♭ Major | 0 | 5B | 74 BPM | ||
Tanto Espaço | Mário João Laginha, Slava Grigoryan, Sharon Grigoryan | D Major | 0 | 10B | 115 BPM | ||
Song of the Fisherwomen | G. I. Gurdjieff, Lavinia Meijer | D Minor | 1 | 7A | 122 BPM |
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