Dobrinka Tabakova, Mari Samuelsen, Julien Quentin's 'Nocturne (Arr. for Solo Violin and Piano)' came out on May 20, 2022. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Mari Samuelsen, Scoring Berlin, Jonathan Stockhammer's "LYS" album is number 2 out of 15. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Nocturne (Arr. for Solo Violin and Piano)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Nocturne (Arr. for Solo Violin and Piano) by Dobrinka Tabakova, Mari Samuelsen, Julien Quentin to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto "Van Dieman's Land" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 81 BPM | ||
Prélude in B-Flat Major, Op. 11, No. 21 - Upright Version | Alexander Scriabin, Julius Asal | G Minor | 1 | 6A | 135 BPM | ||
Modétudes: V. Phrygian | Dobrinka Tabakova, Marina Staneva | F Minor | 0 | 4A | 61 BPM | ||
Pas de Deux: Part 1 | James Horner, Mari Samuelsen, Hakon Samuelsen, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B Minor | 0 | 10A | 133 BPM | ||
Suite No. 2 in F Major, HWV 427: I. Adagio | George Frideric Handel, Seong-Jin Cho | F Major | 0 | 7B | 129 BPM | ||
NO ROADMAP TO ADULTHOOD / Chilly Gonzales: Prelude in C Sharp Major | Chilly Gonzales, Alice Sara Ott | E♭ Minor | 0 | 2A | 70 BPM | ||
Sure on This Shining Night, Op. 13 No. 3 (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | B♭ Major | 0 | 6B | 113 BPM | ||
Albumblatt | Felix Mendelssohn, Istvan Vardai, Julien Quentin | C Major | 1 | 8B | 70 BPM | ||
Sisask : Starry Sky Cycle Op.52 - Pleiades : 17. II Maja | Urmas Sisask, Lauri Väinmaa | F Major | 0 | 7B | 69 BPM | ||
Flow | Anja Lechner, François Couturier | D♭ Minor | 0 | 12A | 118 BPM |
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