Arias I & II for oboes, horns and bassoons: Aria II - George Frideric Handel, Academy of Ancient Music, Christopher Hogwood Information

Acousticness: 81%
Danceability: 48%
Energy: 31%
Instrumentalness: 56%
Liveness: 12%
Loudness: 77%
Speechiness: 3%
Valence: 68%
Popularity: 9%
Loudness: -14.041 dB

Summary

George Frideric Handel, Academy of Ancient Music, Christopher Hogwood made "Arias I & II for oboes, horns and bassoons: Aria II" available on January 1, 1997. The duration of Arias I & II for oboes, horns and bassoons: Aria II is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Arias I & II for oboes, horns and bassoons: Aria II's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Academy of Ancient Music, Christopher Hogwood's "Handel: Water Music/Music for the Royal Fireworks etc." album is number 26 out of 51. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Arias I & II for oboes, horns and bassoons: Aria II's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Arias I & II for oboes, horns and bassoons: Aria II BPM

We consider the tempo marking of Arias I & II for oboes, horns and bassoons: Aria II by George Frideric Handel, Academy of Ancient Music, Christopher Hogwood to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.

Arias I & II for oboes, horns and bassoons: Aria II Key

This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Sinfonia for 2 Oboes in G Major (Arr. A. Camden): I. Allegro	Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis	D Major	3	10B	105 BPM
Oboe Concerto in C Major, Op. 9, No. 5: III. Allegro	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	C Major	3	8B	103 BPM
Concerto No. 4 in G major, BWV 1049: I. Allegro	Johann Sebastian Bach, Freiburger Barockorchester	F Major	2	7B	99 BPM
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts	Jean-Philippe Rameau, Teodor Currentzis	D♭ Major	1	3B	130 BPM
Brandenburg Concerto No. 4 in G BWV1049: I. Allegro	Johann Sebastian Bach, Monica Huggett, Orchestra of the Age of Enlightenment	F♯ Major	1	2B	89 BPM
Gavotte (Paride ed Elena)	Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio	A Major	0	11B	98 BPM
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro	Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz	D Major	2	10B	126 BPM
Serse / Act 1, HWV 40: "Ombra mai fu"	George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket	E Major	2	12B	175 BPM
I. Overture: II. Rondo	Henry Purcell, Raymond Leppard, English Chamber Orchestra	D Minor	3	7A	100 BPM
Souvenir d'un lieu cher, Op. 42: 3. Mélodie	Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding	E♭ Major	0	5B	99 BPM

ISRC: GBF078010450
Label: L-M Records/RCA Records

Section: 0.8103899955749512

End: 0.8148984909057617