"L'Enfance du Christ, Op. 25, Part III, L'Arrivée à Saïs, Scene II: Trio pour deux flutes et harpe. Allegro moderato" by Hector Berlioz, Melbourne Symphony Orchestra, Andrew Davis, Melbourne Symphony Orchestra Chorus, Sasha Cooke, Roderick Williams was released on March 1, 2019. L'Enfance du Christ, Op. 25, Part III, L'Arrivée à Saïs, Scene II: Trio pour deux flutes et harpe. Allegro moderato is about six minutes long, preciously at 6:16, making this song fairly long compared to other songs. The song is number 5 out of 20 in Berlioz: L'enfance du Christ, Op. 25 by Hector Berlioz, Andrew Davis, Melbourne Symphony Orchestra, Sasha Cooke, Roderick Williams, Matthew Brook, Shane Lowrencev, Andrew Goodwin, Andrew Staples. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. L'Enfance du Christ, Op. 25, Part III, L'Arrivée à Saïs, Scene II: Trio pour deux flutes et harpe. Allegro moderato is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'Enfance du Christ, Op. 25, Part III, L'Arrivée à Saïs, Scene II: Trio pour deux flutes et harpe. Allegro moderato by Hector Berlioz, Melbourne Symphony Orchestra, Andrew Davis, Melbourne Symphony Orchestra Chorus, Sasha Cooke, Roderick Williams is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach - Prelude and Fugue in D Major, P. 158 (after J.S. Bach's BWV 532): Prelude: Allegro - Meno mosso - Alla breve [Allegro] - Adagio - | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 143 BPM | ||
Variations on a Theme by Haydn, Op. 56a, "St. Anthony Variations": Thema, "Chorale St. Antoni": Andante | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | F♯ Major | 3 | 2B | 125 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 2. Ostinato: Presto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | D Major | 1 | 10B | 65 BPM | ||
Debussy: Petite suite, CD 71, L. 65: IV. Ballet (Orch. Büsser) | Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | D Major | 3 | 10B | 117 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
The Firebird: Scene 1: The Firebird's Lullaby | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | B Major | 0 | 1B | 117 BPM | ||
Jazz Suite No. 2: I. March | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 116 BPM |
Section: 0.8071193695068359
End: 1.674025297164917