Riccardo Stracciari's 'Rigoletto, Riccardo Stracciari: Act II- "Cortigiani vil razza dannata"' came out on November 30, 2010. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 40 in the song's album "Opera for ever new additions". In this album, this song's track order is #10. Rigoletto, Riccardo Stracciari: Act II- "Cortigiani vil razza dannata" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rigoletto, Riccardo Stracciari: Act II- "Cortigiani vil razza dannata" by Riccardo Stracciari having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucia di Lammermoor, Act II: Appressati, Lucia | Gaetano Donizetti, Stefano Antonucci, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | D Major | 1 | 10B | 88 BPM | ||
La Boheme, zweiter Akt: Aranci, Datteri | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
L'elisir d'amore / Act II: "Saria possibile?" | Gaetano Donizetti, Metropolitan Opera Chorus, David Stivender, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | B Major | 0 | 1B | 119 BPM | ||
Strauss II, J: La chauve-souris, Act 1: Couplets. "Eh quoi ! Monsieur, supposez-vous..." (Caroline, Alfred, Tourillon) | Johann Strauss II, Franck Pourcel, Jacqueline Brumaire, Michel Roux, Remy Corazza, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 1 | 9B | 80 BPM | ||
Oh vin, discaccia la tristezza (Amleto) | Riccardo Stracciari | A Major | 3 | 11B | 72 BPM | ||
Cavalleria rusticana: Mamma, quel vino è generoso (Addio alla madre) | Pietro Mascagni, Magdalena Łukawska, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | E♭ Major | 2 | 5B | 79 BPM | ||
In Quelle Trine Morbide (Manon Lescaut) | Renata Tebaldi, Orchestre de la Suisse Romande | C Major | 2 | 8B | 74 BPM | ||
Dúo de Rosa y Rufo, Pt. 1 | Ángeles Ottein, Anibal Vela | E Major | 0 | 12B | 79 BPM | ||
H.M.S. Pinafore / Act 1: The nightingale sighed | Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | A♭ Major | 0 | 4B | 85 BPM | ||
Rossini: Guillaume Tell, Act 1 Scene 2: "Pasteurs, que vos accents s'unissent" (Melchthal, Chorus) | Gioachino Rossini, Gabriel Bacquier/Nicolai Gedda/Gwynne Howell/Charles Burles/Ambrosian Opera Chorus/Royal Philharmonic Orchestra/Lamberto Gardelli | E Major | 3 | 12B | 69 BPM |
Section: 0.6784226894378662
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