Kurt Weill, Dagmar Peckova, Epoque Quartet, Epoque Orchestra, Miroslav Hloucal Jazz Band, Jan Kučera made "Barbarasong" available on April 7, 2017. Since Barbarasong is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Weill: Wanted. Songs of Kurt Weill by Kurt Weill, Dagmar Peckova. The song's track number on the album is #8 out of 15 tracks. Based on our data, Czechia was the country where this track was produced or recorded. In terms of popularity, Barbarasong is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Barbarasong by Kurt Weill, Dagmar Peckova, Epoque Quartet, Epoque Orchestra, Miroslav Hloucal Jazz Band, Jan Kučera has a tempo of 115 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Barbarasong being at 115 BPM, the half-time would be 58 BPM with a double-time of 230 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In a Chinese Temple-Garden | Albert Ketèlbey, Ambrosian Opera Chorus, London Promenade Orchestra, Alexander Faris | D Major | 1 | 10B | 97 BPM | ||
Die Dreigroschenoper: 2. Dreigroschenfinale | Kurt Weill, Rolf Boysen, René Kollo, Helga Dernesch, RIAS Kammerchor, Rias-Sinfonietta Berlin, John Mauceri | G Minor | 2 | 6A | 79 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre dans ce rève" | Charles Gounod, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | C Major | 3 | 8B | 77 BPM | ||
Amarcord | Orchestre de la Suisse Romande | F Major | 1 | 7B | 71 BPM | ||
Die Dreigroschenoper: Akt II, Der Pferdestall ("Mackie muss fliehen und nimmt Abschied von Polly") | Kurt Weill, Erich Schellow, Wolfgang Neuss, Johanna von Koczian, Wilhelm Brückner-Rüggeberg | G Major | 0 | 9B | 112 BPM | ||
Begin the Beguine | Magdalena Kozená, Ondrej Havelka & His Melody Makers | B♭ Major | 3 | 6B | 119 BPM | ||
Psaume 24. La terre appartient a l'Eternel | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic, Neil MacKenzie, City of Birmingham Symphony Chorus | E Minor | 2 | 9A | 83 BPM | ||
Lohengrin, WWV 75: Prelude To Act I | Richard Wagner, Berliner Philharmoniker, Rafael Kubelík | B Major | 1 | 1B | 81 BPM | ||
Vier letzte Lieder, TrV 296: 1. Frühling | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | A Major | 3 | 11B | 83 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Major | 3 | 6B | 120 BPM |
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