"Symphony No. 100 in G Major, Hob. 1/100, "Military": I. Adagio - Allegro" by St. Petersburg Radio Symphony Orchestra was released on March 10, 2009. Since Symphony No. 100 in G Major, Hob. 1/100, "Military": I. Adagio - Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Various Artists's "Joseph Haydn: The Essential Works - 200 Year Anniversary Collection" album is number 12 out of 59. In terms of popularity, Symphony No. 100 in G Major, Hob. 1/100, "Military": I. Adagio - Allegro is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Symphony No. 100 in G Major, Hob. 1/100, "Military": I. Adagio - Allegro by St. Petersburg Radio Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Dance of the Goblins. Op. 25 | Antonio Bazzini, Sarah Chang, Charles Abramovic | G Major | 3 | 9B | 93 BPM | ||
Don Quixote: Act III: Coda | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | G Major | 3 | 9B | 75 BPM | ||
Capriccio espagnol, Op. 34: Alborada: Vivo e strepitoso | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Keith Clark | A Minor | 2 | 8A | 92 BPM | ||
Walpurgis Night. Ballet music from Faust Bacchante and Bacchus | Victor Fedotov, Academic Symphony Orchestra Of The St. Petersburg Philharmonic | E♭ Major | 1 | 5B | 140 BPM | ||
Act I: Scene. Entree Of Don Quixote & Sancho Panza (Minkus) | Mariinsky Orchestra | B♭ Major | 2 | 6B | 122 BPM | ||
Le Corsaire: Act II - "10. Conrad Frees Slaves; Fight: Conrad, Birbanto" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | C Major | 1 | 8B | 81 BPM | ||
Don Quixote: Prologue: Allegro | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | A Minor | 0 | 8A | 128 BPM | ||
Concertstück in F Major, Op. 86: II. Romanze. Ziemlich langsam | Robert Bonnevie, Mark Robbins, David C. Knapp, Scott Wilson, Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | B♭ Major | 0 | 6B | 84 BPM | ||
Ancient Music of the Sunny Spring | Shanghai Philharmonic Orchestra | D Major | 1 | 10B | 111 BPM | ||
Mayskaya noch' (May Night): Overture | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 78 BPM |
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