André Campra, Jaël Azzaretti, William Christie's 'Campra: De profundis (Psalm 130), grand motet: No. 5, R,cit "A custodia" (Dessus)' came out on 2003. With Campra: De profundis (Psalm 130), grand motet: No. 5, R,cit "A custodia" (Dessus) being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 27 in Campra: Grand Motets by André Campra, William Christie, Les Arts Florissants. Campra: De profundis (Psalm 130), grand motet: No. 5, R,cit "A custodia" (Dessus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Campra: De profundis (Psalm 130), grand motet: No. 5, R,cit "A custodia" (Dessus) by André Campra, Jaël Azzaretti, William Christie is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Zeit, TWV 20:23: II. Recitiativ | Georg Philipp Telemann, Bettina Pahn, Jochaim Held, Juliane Laake, Carsten Lohff | E Major | 1 | 12B | 91 BPM | ||
Confitebor tibi I | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Dixit Dominus (Soloists, Chorus) | Antonio Lotti, Barbara Christina Steude, Annekathrin Laabs, David Erler, Tobias Berndt, Saxon Vocal Ensemble, Batzdorfer Hofkapelle, Matthias Jung | B♭ Minor | 1 | 3A | 88 BPM | ||
Credo in F Major: V. Et vitam | Antonio Lotti, Thomas Hengelbrock | E Major | 2 | 12B | 183 BPM | ||
Mondonville: In exitu Israel: I. (b) Chœur. "In exitu Israel" | Jean-Joseph Cassanéa De Mondonville, Emmanuelle Haïm | F Major | 2 | 7B | 119 BPM | ||
6. Aria: Ein Gebet um neue Stärke | Georg Anton Kreusser, Julia Sophie Wagner, Karsten Storck, Mainzer Domorchester | A Major | 2 | 11B | 74 BPM | ||
Belshazzar HWV 61, Act I: Air - O sacred Oracles of Truth | George Frideric Handel, La Sfera Armoniosa, Oscar Verhaar, Mike Fentross | B Major | 3 | 1B | 181 BPM | ||
Miserere, ZWV 57: III. Gloria Patri I | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Gunhild Alsvik, Javier Ulises Illán | E♭ Minor | 2 | 2A | 106 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Vieni, segui i miei passi" (Orfeo, Euridice) | Christoph Willibald Gluck, Stefan Plewniak, Elsa Dreisig, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Der Herr ist König, TWV 8:6: I. No. 6, Aria: Prahlet, Ihr Völker | Georg Philipp Telemann, Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan, Shimon Yoshida | E♭ Minor | 2 | 2A | 74 BPM |
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