On January 1, 1993, the song "Die Fledermaus: Brüderlein und Schwesterlein" was released by Johann Strauss II, Ingeborg Hallstein, Willy Hofmann, Ilse Hollweg, Sandor Konya, Willy Schneider, Chor, Grosses Operetten Orchester, Franz Marszalek. The duration of Die Fledermaus: Brüderlein und Schwesterlein is about 3 minutes long, at 3:21. Based on our data, "Die Fledermaus: Brüderlein und Schwesterlein" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Strauss II, Ilse Hollweg, Sandor Konya, Willy Schneider, Lothar Ostenburg, Ingeborg Hallstein, Hildegunt Walther, Chor, WDR Sinfonieorchester, Grosses Operetten Orchester, Franz Marszalek's "Goldene Operette / Der Zigeunerbaron - Eine Nacht in Venedig - Die Fledermaus" album is number 36 out of 44. On top of that, Germany appears to be the country where this track was created. Die Fledermaus: Brüderlein und Schwesterlein is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Die Fledermaus: Brüderlein und Schwesterlein by Johann Strauss II, Ingeborg Hallstein, Willy Hofmann, Ilse Hollweg, Sandor Konya, Willy Schneider, Chor, Grosses Operetten Orchester, Franz Marszalek to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | D Minor | 3 | 7A | 107 BPM | ||
5 Lieder, Op. 49 (arr. for orchestra): Wiegenlied: Guten Abend, gut Nacht, Op. 49, No. 4 | Anonymous, Johannes Brahms, Slovak Radio Symphony Orchestra, Peter Breiner | E♭ Major | 1 | 5B | 113 BPM | ||
Geschichten aus dem Wienerwald (Tales from the Vienna Woods), Op. 325 (RV 325) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | B♭ Major | 1 | 6B | 176 BPM | ||
Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | ||
Tritsch-Tratsch-Polka, Op. 214 | Johann Strauss II, Leonard Bernstein, New York Philharmonic | A Major | 5 | 11B | 155 BPM | ||
Coppélia: Valse Lente | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden | E♭ Major | 1 | 5B | 72 BPM | ||
Coppelia Ballet Suite: Festival of the Clocks and Dance of the Hours | Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard | E♭ Major | 0 | 5B | 181 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": III. Allegro | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | F Minor | 2 | 4A | 172 BPM | ||
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Tik-Tak Polka, Polka schnell, Op. 365 | Johann Strauss II, Gustavo Dudamel, Wiener Philharmoniker | A Major | 6 | 11B | 90 BPM |
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