Tylman Susato, The London Gabrieli Brass Ensemble's 'Susato Suite - Arr. C. Steele-Perkins: Ronde' came out on January 1, 1982. With Susato Suite - Arr. C. Steele-Perkins: Ronde being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 43 in the song's album "The Baroque Brass Collection". In this album, this song's track order is #6. Based on our statistics, Susato Suite - Arr. C. Steele-Perkins: Ronde's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Susato Suite - Arr. C. Steele-Perkins: Ronde by Tylman Susato, The London Gabrieli Brass Ensemble having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O Primavera, gioventu dell'anno | Claudio Monteverdi, 6 Chordae Consort of Viols, John Dornenburg | A Minor | 1 | 8A | 113 BPM | ||
D'ung aultre amer / Lhome arme | Philippe Basiron, Capilla Flamenca | E Minor | 0 | 9A | 60 BPM | ||
Dansereye (1551): Den VII Ronde 'Il estoit une filette' | Tylman Susato, New London Consort, Philip Pickett | C Major | 1 | 8B | 129 BPM | ||
Chansons (arr. for voice and chamber ensemble): Resvelons nous | Guillaume Dufay, Bernhard Landauer, Unicorn Ensemble, Michael Posch | A Minor | 1 | 8A | 134 BPM | ||
Neuf basse dances: Basse-danse La Brosse | Pierre Attaingnant, Into the Winds | F Minor | 3 | 4A | 132 BPM | ||
In Nomine No. 14, 'Reporte' | Christopher Tye, The Rose Consort Of Viols | D♭ Minor | 0 | 12A | 86 BPM | ||
Terpsichore*: Volte | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | C Major | 4 | 8B | 149 BPM | ||
Consort | Henry VIII, Trouvere Medieval Minstrels | D Minor | 1 | 7A | 130 BPM | ||
The Little Consort, Suite No. 10 in D Minor and D Major: II. Ayre | Matthew Locke, Phantasm, Elizabeth Kenny | D♭ Major | 1 | 3B | 100 BPM | ||
Queine of Ingland's Pavan & Gallyard | Anon, Trinity Baroque, The Forbury Consort, Alan Crumpler, Julian Podger, The Holbein Consort, Martin Pope, Steven Player | A Minor | 1 | 8A | 89 BPM |
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