Orlande de Lassus, Hofkapelle Ensemble, Michael Procter's 'Lagrime di San Pietro (Tears of San Pietro): 10a parte - Come falda di neve' came out on January 1, 2003. The duration of Lagrime di San Pietro (Tears of San Pietro): 10a parte - Come falda di neve is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Lagrime di San Pietro (Tears of San Pietro): 10a parte - Come falda di neve's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Orlande de Lassus, Hofkapelle Ensemble, Michael Procter's "Lassus, O.: Lagrime Di San Pietro / Melancholia" album is number 10 out of 34. On top of that, Germany appears to be the country where this track was created. Lagrime di San Pietro (Tears of San Pietro): 10a parte - Come falda di neve is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lagrime di San Pietro (Tears of San Pietro): 10a parte - Come falda di neve by Orlande de Lassus, Hofkapelle Ensemble, Michael Procter to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La liberazione di Ruggiero dall'isola d'Alcina, Prologue: Biondo Dio del bel Permesso | Francesca Caccini, Francesca Lombardi Mazzulli, Elena Biscuola, Gabriella Martellacci, Mauro Borgioni, Yiannis Vassilakis, Allabastrina, La Pifarescha, Elena Sartori | G Minor | 1 | 6A | 82 BPM | ||
Echo la primavera | Francesco Landini, Anonymous 4 | F Major | 0 | 7B | 85 BPM | ||
A vous, douce debonnaire (Rondeau) W! | Jehan de Lescurel, Ensemble Gilles Binchois, Dominique Vellard | D♭ Major | 0 | 3B | 136 BPM | ||
O Send Out Thy Light | Owain Park, The Gesualdo Six | F♯ Major | 1 | 2B | 80 BPM | ||
Herr, nun lässest du deinen Diener in Friede fahren, SWV 281 | Heinrich Schütz, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 60 BPM | ||
Kheruvimskaya pesnya (Cherubic Hymn) | Pyotr Ilyich Tchaikovsky, SWR Vokalensemble Stuttgart, Marcus Creed | E Minor | 0 | 9A | 82 BPM | ||
Innsbruck, ich muß dich lassen | Heinrich Isaac, Amarcord | D Minor | 1 | 7A | 75 BPM | ||
Lagrime di San Pietro: XIII. Veduto il míser quanto differente | Orlande de Lassus, Gallicantus, Gabriel Crouch | C Major | 0 | 8B | 142 BPM | ||
O lux beata Trinitas | Andrej Makor, BYU Singers, Andrew Crane | F♯ Major | 1 | 2B | 106 BPM | ||
Ecclesie militantis | Guillaume Dufay, Pomerium, Alexander Blachly | F Major | 2 | 7B | 76 BPM |
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