"Transactionen, Walzer, Op. 184" by Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Christian Pollack had its release date on April 20, 2003. This song appears to be safe for all ages as it is not explicit. There are a total of 11 in the song's album "Strauss, Josef: Edition - Vol. 24". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Hong Kong. Transactionen, Walzer, Op. 184 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Transactionen, Walzer, Op. 184 by Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Christian Pollack having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Phönix-Marsch, Op. 105 | Josef Strauss, Daniel Barenboim, Wiener Philharmoniker | E♭ Major | 4 | 5B | 108 BPM | ||
4 Norwegian Dances, Op. 35: No. 2 in A-Major: Allegretto tranquillo e grazioso | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 0 | 11B | 136 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 2 (orch. A. Hallen) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | D Minor | 2 | 7A | 75 BPM | ||
Rákóczy March | Hector Berlioz, Arthur Fiedler | E Major | 3 | 12B | 106 BPM | ||
Ruslan and Lyudmila, Op. 5, Overture | Mikhail Glinka, Alexander Vedernikov, Bolshoi Theatre Orchestra | E Minor | 1 | 9A | 151 BPM | ||
Scheherazade: The voice of Scheherazade | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 132 BPM | ||
Banditen-Galopp, Op. 378 | Johann Strauss II, Franz Welser-Möst, Wiener Philharmoniker | F Major | 3 | 7B | 93 BPM | ||
Britta Polka (1864) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 87 BPM | ||
Rossini: Il barbiere di Siviglia: Overture | Gioachino Rossini, Riccardo Muti, Philharmonia Orchestra | G Major | 1 | 9B | 88 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 2, Dance du coq et des poules | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | D Major | 4 | 10B | 164 BPM |