Heitor Villa-Lobos, Mickael Viegas's '12 Estudos, W235: V. Andantino' came out on February 19, 2016. The duration of 12 Estudos, W235: V. Andantino is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. 12 Estudos, W235: V. Andantino's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "The Complete Guitar Works of Heitor Villa-Lobos". In this album, this song's track order is #6. Based on our statistics, 12 Estudos, W235: V. Andantino's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With 12 Estudos, W235: V. Andantino by Heitor Villa-Lobos, Mickael Viegas having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bachianas brasileiras No. 8: IV. Fuga | Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn | C Minor | 3 | 5A | 65 BPM | ||
El choclo (arr. R. Cobo): El Choclo (arr. R. Cobo) | Ricardo Cobo, Angel Gregorio Villoldo | D Major | 1 | 10B | 127 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Debussy: Syrinx, L. 129: Syrinx (Très modéré - Un peu mouvementé) | Claude Debussy, Emmanuel Pahud | A♭ Major | 0 | 4B | 65 BPM | ||
La Vida breve - Bonus Track | Manuel de Falla, Wilhem Latchoumia | D Minor | 2 | 7A | 100 BPM | ||
6 Romances sans paroles, Op. 76: VI. Méditation | Cécile Chaminade, Mark Viner | A♭ Major | 0 | 4B | 72 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Andante | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 173 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Petite Suite de Concert, Op. 77: III. Un sonnet d'amour | Samuel Coleridge-Taylor, Chineke! Orchestra, Anthony Parnther | D Major | 0 | 10B | 62 BPM | ||
6 Consolations, S. 172: No. 3 in D flat major (Lento, placido) | Franz Liszt, Nelson Freire | A♭ Major | 0 | 4B | 75 BPM |
Section: 0.7344803810119629
End: 0.7381672859191895