"Flight, Act I: Darling! (Bill, Tina, Refugee)" by Jonathan Dove, David Parry, London Philharmonic Orchestra, Richard Coxon, Mary Plazas, Christopher Robson was released on April 1, 2004. The duration of Flight, Act I: Darling! (Bill, Tina, Refugee) is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Flight, Act I: Darling! (Bill, Tina, Refugee)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 46 in Dove: Flight by Jonathan Dove, David Parry, London Philharmonic Orchestra, Christopher Robson, Claron McFadden, Richard Coxon, Mary Plazas, Nuala Willis, Ann Taylor. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Flight, Act I: Darling! (Bill, Tina, Refugee) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Flight, Act I: Darling! (Bill, Tina, Refugee) by Jonathan Dove, David Parry, London Philharmonic Orchestra, Richard Coxon, Mary Plazas, Christopher Robson is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
My Love is Mine | Jonathan Dove, Felicity Turner | G Major | 0 | 9B | 92 BPM | ||
Iustorum Animae | Matthew Martin, The Chapel Choir of Pembroke College, Cambridge, Anna Lapwood | D♭ Major | 0 | 3B | 145 BPM | ||
Hymn to the Eternal Flame (From to Be Certain of the Dawn) | The Singers - Minnesota Choral Artists, Matthew Culloton | D♭ Major | 1 | 3B | 169 BPM | ||
Flight, Act II: Excuse me, can I trouble you for some advice? (Older Woman, Tina, Minskwoman, Stewardess, Bill) | Jonathan Dove, David Parry, London Philharmonic Orchestra, Nuala Willis, Mary Plazas, Anne Mason, Ann Taylor, Richard Coxon | F Minor | 2 | 4A | 144 BPM | ||
L'amour, le temps | Bernat Vivancos, Sigvards Kļava, Latvian Radio Choir | A Minor | 0 | 8A | 77 BPM | ||
HFTEPX | KNOXVILLETRACKZ | D Minor | 0 | 7A | 65 BPM | ||
Flight, Act I: Do I look conspicuous? (Older Woman, Refugee, Controller) | Jonathan Dove, David Parry, London Philharmonic Orchestra, Nuala Willis, Christopher Robson, Claron McFadden | D Minor | 1 | 7A | 80 BPM | ||
2 Choral songs, Op. 71: No. 1. The Shower | Edward Elgar, Cambridge University Chamber Choir, Christopher Robinson | G Major | 1 | 9B | 75 BPM | ||
Dieu, qu'il l'a fait bon regarder | Claude Debussy, Norddeutscher Figuralchor, Jörg Straube | A♭ Minor | 0 | 1A | 85 BPM | ||
Dawn | Eric William Barnum, Choral Arts, Robert Bode | F Major | 0 | 7B | 84 BPM |
Section: 0.595088005065918
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