"Flight, Act I: Do I look conspicuous? (Older Woman, Refugee, Controller)" by Jonathan Dove, David Parry, London Philharmonic Orchestra, Nuala Willis, Christopher Robson, Claron McFadden was released on April 1, 2004. The duration of Flight, Act I: Do I look conspicuous? (Older Woman, Refugee, Controller) is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Flight, Act I: Do I look conspicuous? (Older Woman, Refugee, Controller)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 46 in Dove: Flight by Jonathan Dove, David Parry, London Philharmonic Orchestra, Christopher Robson, Claron McFadden, Richard Coxon, Mary Plazas, Nuala Willis, Ann Taylor. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Flight, Act I: Do I look conspicuous? (Older Woman, Refugee, Controller) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Flight, Act I: Do I look conspicuous? (Older Woman, Refugee, Controller) by Jonathan Dove, David Parry, London Philharmonic Orchestra, Nuala Willis, Christopher Robson, Claron McFadden is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Song About Myself | Jonathan Dove, CBSO Chorus, CBSO Youth Chorus, CBSO Children's Chorus, City Of Birmingham Symphony Orchestra, Simon Halsey | G Major | 2 | 9B | 103 BPM | ||
Les Chansons Des Roses: I. En Une Seule Fleur | The Singers - Minnesota Choral Artists | D♭ Major | 1 | 3B | 131 BPM | ||
Peace I Leave with You | Amy Beach, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | E♭ Major | 1 | 5B | 81 BPM | ||
Hosanna to the Son of David | Thomas Weelkes, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | B♭ Minor | 2 | 3A | 132 BPM | ||
Belshazzar's Feast: The trumpeters and pipers are silent | William Walton, Christopher Purves, Huddersfield Choral Society, Leeds Philharmonic Chorus, Laudibus, English Northern Philharmonia, Simon Lindley, Paul Daniel | A Minor | 0 | 8A | 79 BPM | ||
Vespers, Op. 37: Glory to God in the Highest | Sergei Rachmaninoff, Yuri Korinnyk, Mykhaylo Tyshchenko, Olga Borusene, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | C Major | 1 | 8B | 89 BPM | ||
Vere languores nostros, IAL 32 | Antonio Lotti, Pro Musica, Szabó Dénes | A♭ Major | 0 | 4B | 71 BPM | ||
Water Night | Eric Whitacre, Eric Whitacre Singers | B♭ Minor | 0 | 3A | 94 BPM | ||
New Worlds / High Flight | Jonathan Dove, CBSO Chorus, CBSO Youth Chorus, CBSO Children's Chorus, Toby Spence, Joan Rodgers, City Of Birmingham Symphony Orchestra, Simon Halsey | B♭ Minor | 3 | 3A | 137 BPM | ||
Three Sacred Hymns: III. Vater unser | Alfred Schnittke, RIAS Kammerchor, Hans-Christoph Rademann | E♭ Major | 1 | 5B | 75 BPM |
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