Samuel Barber, Leonard Slatkin, St. Louis Symphony made "The School For Scandal Overture Op. 5" available on January 1, 1989. Since The School For Scandal Overture Op. 5 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 6 in Adagio for Strings / 3 Essays for Orchestra by Samuel Barber, Leonard Slatkin, St. Louis Symphony. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, The School For Scandal Overture Op. 5 is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of The School For Scandal Overture Op. 5 by Samuel Barber, Leonard Slatkin, St. Louis Symphony is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": I. Adagio - Allegro molto | Antonín Dvořák, Leonard Bernstein, New York Philharmonic | E Minor | 2 | 9A | 67 BPM | ||
The White Peacock | Charles Griffes, Buffalo Philharmonic Orchestra, Joann Falletta | B Major | 3 | 1B | 81 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": Scherzo: Molto vivace | Antonín Dvořák, Fritz Reiner | C Major | 1 | 8B | 77 BPM | ||
Candide: Overture | Leonard Bernstein, New York Philharmonic | E♭ Major | 4 | 5B | 82 BPM | ||
Tristan und Isolde - Concert Version: Liebestod | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 94 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Hilary Hahn, Hugh Wolff, Oslo-Filharmonien | D Major | 3 | 10B | 169 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: II. Scherzo | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | G Minor | 3 | 6A | 89 BPM | ||
Symphony No. 2, Op. 30, "Romantic": III. Allegro con brio | Howard Hanson, Seattle Symphony Orchestra, Gerard Schwarz | D♭ Major | 2 | 3B | 136 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Helsingborg Symphony Orchestra, Andrew Manze | C Major | 1 | 8B | 146 BPM | ||
Scheherazade - Symphonic Suite Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Stephen Bryant, Takuo Yuasa | E Major | 0 | 12B | 81 BPM |
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