"Mozart: Die Zauberflöte, K. 620, Act 2 Scene 6: Dialog, "Heil dir, Jüngling! dein standhaft männliches Betragen hat gesiegt" (Sprecher, Zweiter Priester, Papageno)" by Wolfgang Amadeus Mozart, Sir Roger Norrington, London Classical Players was released on February 7, 2005. With Mozart: Die Zauberflöte, K. 620, Act 2 Scene 6: Dialog, "Heil dir, Jüngling! dein standhaft männliches Betragen hat gesiegt" (Sprecher, Zweiter Priester, Papageno) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Sir Roger Norrington, London Classical Players's "Mozart: Die Zauberflote" album is number 5 out of 60. Mozart: Die Zauberflöte, K. 620, Act 2 Scene 6: Dialog, "Heil dir, Jüngling! dein standhaft männliches Betragen hat gesiegt" (Sprecher, Zweiter Priester, Papageno) is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Mozart: Die Zauberflöte, K. 620, Act 2 Scene 6: Dialog, "Heil dir, Jüngling! dein standhaft männliches Betragen hat gesiegt" (Sprecher, Zweiter Priester, Papageno) by Wolfgang Amadeus Mozart, Sir Roger Norrington, London Classical Players to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia in C minor, K.475: Adagio | Wolfgang Amadeus Mozart, András Schiff | D Major | 0 | 10B | 130 BPM | ||
Overture in D Minor, TWV 55:2: Rondeau | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | D Minor | 1 | 7A | 83 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Requiem In D Minor, K. 626: Sequence: III. Rex Tremendae Majestatis | Slovak Philharmonic, Magdaléna Hajóssyová, Jozef Kundlák, Slovak Philharmonic Chorus, Peter Mikulas, Jaroslava Horska, Stefan Klimo, Vladimir Ruso, Wolfgang Amadeus Mozart | G Minor | 1 | 6A | 82 BPM | ||
String Quintet No. 6 in E Major, Op. 11, No. 5: String Quintet no.6 in E major, op.11 no.5: III. Minuetto - Trio | Luigi Boccherini, Cuarteto Casals, Eckart Runge | A Major | 0 | 11B | 126 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
2 Part Invention In F Major, BWV 779: Two-part Invention In F Major, BWV 779 | Janos Sebestyen, Johann Sebastian Bach | F Major | 3 | 7B | 123 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Requiem In D Minor, K. 626: Sequence: I. Dies Irae | Slovak Philharmonic, Magdaléna Hajóssyová, Peter Mikulas, Vladimir Ruso, Jaroslava Horska, Jozef Kundlák, Stefan Klimo, Slovak Philharmonic Chorus, Wolfgang Amadeus Mozart | G Minor | 3 | 6A | 79 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM |
Section: 0.6597328186035156
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