"Il Sansone (Oratorio in due canti), Canto Secondo: Da' confini del mondo (Sansone)" by Benedetto Ferrari, Il Complesso Barocco/Alan Curtis was released on 2000. With this song being about 5 minutes long, at 4:42, "Il Sansone (Oratorio in due canti), Canto Secondo: Da' confini del mondo (Sansone)" by Benedetto Ferrari, Il Complesso Barocco/Alan Curtis is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 32 out of 34 in Ferrari - Il Sansome/Solo Songs by Benedetto Ferrari, Il Complesso Barocco/Alan Curtis. The popularity of Il Sansone (Oratorio in due canti), Canto Secondo: Da' confini del mondo (Sansone) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Il Sansone (Oratorio in due canti), Canto Secondo: Da' confini del mondo (Sansone) by Benedetto Ferrari, Il Complesso Barocco/Alan Curtis is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mich stráft aín wachter: II. wachter, des wil ich volgen | Hugo von Montfort, Eberhard Kummer | D Minor | 0 | 7A | 96 BPM | ||
Libera me in C Minor, HocJ E.2: IV. Tremens factus sum ego | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Peter Van Heyghen | D Major | 1 | 10B | 126 BPM | ||
Op.12, No.4: Canzon La Treccia | Tarquinio Merula, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Symphonia a 2 violini in D Major: I. Grave | Rinaldo Alessandrini, Concerto Italiano | A♭ Major | 0 | 4B | 72 BPM | ||
St. Matthew Passion, BWV 244: No. 18. Recitative: Wiewohl mein Herz in Tranen schwimmt (Soprano) | Johann Sebastian Bach, Zeger Vandersteene, Istvan Gati, Magda Kalmár, Julia Hamari, Ernst-Gerold Schramm, Jeunesses Musicales Chorus, Budapest Boys' Choir of the Primary School of Music, Franz Liszt Chamber Orchestra, Frigyes Sándor | C Major | 1 | 8B | 61 BPM | ||
L'Allegro, il Penseroso ed il Moderato, HWV 55, Part II: Accompagnato. Hence, vain deluding joys (Il Penseroso) | George Frideric Handel, Rachel Redmond, Les Arts Florissants, William Christie | A♭ Major | 1 | 4B | 127 BPM | ||
The Lord Monk's March / Hey to the Camp | Henry Purcell, James Oswald, Les Musiciens De Saint-Julien, François Lazarevitch | D Major | 3 | 10B | 142 BPM | ||
Madrigals Libro, No.6: Moro, Lasso, Al Mio Duolo | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Ninna Nanna (Sicilia) | Marco Pasetto, Elena Bertuzzi, Enrico Breanza, Gianni Sabbioni, Massimiliano Zambelli | E Major | 2 | 12B | 141 BPM | ||
Folias (Imperfectas) [Harp] | La Capella Reial De Catalunya, Hespèrion XXI, Andrew Lawrence-King | A Minor | 0 | 8A | 78 BPM |
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