"La Veneziana (Barcarolle) in G Minor CG 593" by Charles Gounod, Roberto Prosseda was released on April 6, 2018. The duration of La Veneziana (Barcarolle) in G Minor CG 593 is about 3 minutes long, at 3:24. Based on our data, "La Veneziana (Barcarolle) in G Minor CG 593" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Charles Gounod, Roberto Prosseda's "Gounod: Piano Works" album is number 1 out of 26. La Veneziana (Barcarolle) in G Minor CG 593 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Veneziana (Barcarolle) in G Minor CG 593 by Charles Gounod, Roberto Prosseda to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite bergamasque, L. 75: IV. Passepied | Claude Debussy, Alice Sara Ott | F♯ Minor | 0 | 11A | 89 BPM | ||
Faust, CG 4, ICG 61, Act I: "A moi les plaisirs" (Faust, Méphistophélès) | Charles Gounod, Metropolitan Opera Orchestra, Fausto Cleva, Jussi Björling, Cesare Siepi | F Major | 3 | 7B | 81 BPM | ||
Carmen Fantasy, Op. 25: IV. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | F Minor | 2 | 4A | 84 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851 | Daniel Barenboim | D Minor | 1 | 7A | 129 BPM | ||
Schumann, Clara: 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Sophie Pacini | E♭ Minor | 0 | 2A | 60 BPM | ||
Piano Sonata in G Minor: II. Romanza: Andante quasi adagio | Wilhelm Stenhammar, Niklas Sivelov | B♭ Major | 0 | 6B | 74 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
Fantasiestücke, Op. 12: I. Des Abends | Robert Schumann, Daniel Barenboim | F Major | 1 | 7B | 74 BPM | ||
Les Erinnyes - Arr. by Mischa Maisky: Elégie | Jules Massenet, Mischa Maisky, Pavel Gililov | G Minor | 0 | 6A | 179 BPM | ||
Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM |
Section: 0.5946698188781738
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