Johann Sebastian Bach, Jakob Lindberg's 'Violin Sonata No. 3 in C Major, BWV 1005 (Excerpts Arr. J. Lindberg for Lute): III. Largo' came out on November 5, 2021. The duration of Violin Sonata No. 3 in C Major, BWV 1005 (Excerpts Arr. J. Lindberg for Lute): III. Largo is about 3 minutes long, at 3:03. Based on our data, "Violin Sonata No. 3 in C Major, BWV 1005 (Excerpts Arr. J. Lindberg for Lute): III. Largo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 20 in Bach on the Rauwolf Lute by Johann Sebastian Bach, Jakob Lindberg. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Based on our statistics, Violin Sonata No. 3 in C Major, BWV 1005 (Excerpts Arr. J. Lindberg for Lute): III. Largo's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Violin Sonata No. 3 in C Major, BWV 1005 (Excerpts Arr. J. Lindberg for Lute): III. Largo by Johann Sebastian Bach, Jakob Lindberg is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Goldberg Variations (‘Air with Thirty Variations’), BWV 988: Goldberg Variations (‘Air with Thirty Variations’), BWV 988: VII. Allegro scherzando | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | E Minor | 0 | 9A | 68 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
(Ré)inventio: No. 13 in A Minor [After J.S. Bach's BWV 784] | Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay | E Minor | 2 | 9A | 112 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Goldberg Variations, BWV 988: Var. 1 | Johann Sebastian Bach, Glenn Gould | G Major | 4 | 9B | 165 BPM | ||
Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio | Johann Sebastian Bach, Academy of Ancient Music, Richard Egarr | C Minor | 1 | 5A | 83 BPM | ||
Concerto for Oboe, Violin, Strings and Continuo in B Flat Major, RV 548: II. Largo | Antonio Vivaldi, David Reichenberg, Simon Standage, The English Concert, Trevor Pinnock | F♯ Minor | 0 | 11A | 80 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: II. Andantino | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | B♭ Major | 0 | 6B | 0 BPM |
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