"Les Érinnyes, Act II: Scene religieuse (Arr. for Cello and Orchestra)" by Jules Massenet, Suisse Romande Orchestra, Neeme Järvi, Truls Mørk was released on May 1, 2014. With this song being about 5 minutes long, at 5:15, "Les Érinnyes, Act II: Scene religieuse (Arr. for Cello and Orchestra)" by Jules Massenet, Suisse Romande Orchestra, Neeme Järvi, Truls Mørk is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 20 in the song's album "Neeme Järvi Conducts Massenet". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. Les Érinnyes, Act II: Scene religieuse (Arr. for Cello and Orchestra) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les Érinnyes, Act II: Scene religieuse (Arr. for Cello and Orchestra) by Jules Massenet, Suisse Romande Orchestra, Neeme Järvi, Truls Mørk having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM | ||
Thaïs: Méditation (Arr. for Cello & Piano) | Jules Massenet, Yo-Yo Ma, Kathryn Stott | D Major | 0 | 10B | 80 BPM | ||
Jules Massenet -Meditation from Thais | Jules Massenet, Laurel Zucker and Sara Cutler | E Minor | 1 | 9A | 64 BPM | ||
3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) | Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 103 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Rêverie, L. 68: Rêverie | Claude Debussy, Jean-Yves Thibaudet | G Minor | 0 | 6A | 69 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
Schwanengesang, D. 957: No. 4. Standchen (Leise flehen meine Lieder) (arr. Liszt) | Franz Liszt, Péter Nagy | D Major | 0 | 10B | 137 BPM | ||
Valse triste, Op. 44 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM | ||
Norma / Act I: "Casta Diva" (Arr. by Mathieu Herzog for Cello and Orchestra) | Vincenzo Bellini, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | F Major | 1 | 7B | 91 BPM |
Section: 0.7610437870025635
End: 0.7750227451324463