Nicola Matteis, Gli Incogniti, Amandine Beyer's 'Giga (Allegro)' came out on August 1, 2009. With Giga (Allegro) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Nicola Matteis, Gli Incogniti, Amandine Beyer's "Matteis: False Consonances of Melancholy" album is number 8 out of 40. On top of that, France appears to be the country where this track was created. In terms of popularity, Giga (Allegro) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Giga (Allegro) by Nicola Matteis, Gli Incogniti, Amandine Beyer to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mystery (Rosary) Sonata No. 15 in C Major, The Coronation of Mary as Queen of Heaven and Earth: III. Canzon[a] | Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti | F♯ Minor | 1 | 11A | 94 BPM | ||
Airs for the Seasons, Summer (Excerpts): Pink: III. Temo di Minuetto | James Oswald, Rezonance Baroque Ensemble | F♯ Major | 2 | 2B | 82 BPM | ||
Chamber Sonata No. 3 in D Major: II. Vivace e presto - Adagio | Élisabeth Jacquet de La Guerre, Musica Fiorita | A Minor | 1 | 8A | 89 BPM | ||
Sarabanda (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | A♭ Minor | 2 | 1A | 95 BPM | ||
Hamburg Symphony No. 3 in C Major, Wq. 182: I. Allegro assai | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Markuspassion: III. Will dich die Angst betreten | Reinhard Keiser, Ensemble Jacques Moderne, Thomas E. Bauer, Joël Suhubiette, Jan Kobow, Amandine Beyer, Gli Incogniti | B♭ Minor | 1 | 3A | 127 BPM | ||
In hoc mundo: I. Sonata | Domenico Zipoli, Florilegium | D♭ Major | 2 | 3B | 104 BPM | ||
Sinfonia per violoncello in G Minor: II. Allegro | Giovanni Bononcini, Marco Ceccato, Accademia Ottoboni | A♭ Minor | 1 | 1A | 73 BPM | ||
Sinfonia No. 7 in G Minor, RosS 533.7: III. Grave | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | C Major | 2 | 8B | 138 BPM | ||
Trumpet Concerto in D Major, G. 28: II. Adagio | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | D♭ Major | 4 | 3B | 185 BPM |
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