"Funny Face: 'S wonderful - Funny Face (arr. for piano)" by George Gershwin, Artis Wodehouse, Richard Dowling was released on January 1, 2001. The duration of Funny Face: 'S wonderful - Funny Face (arr. for piano) is about 3 minutes long, at 3:07. Based on our data, "Funny Face: 'S wonderful - Funny Face (arr. for piano)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Richard Dowling's "Gershwin: Songs (Arr. for Piano) / Piano Works / Wild: 7 Etudes On Themes Of Gershwin" album is number 5 out of 29. On top of that, United States appears to be the country where this track was created. Based on our statistics, Funny Face: 'S wonderful - Funny Face (arr. for piano)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Funny Face: 'S wonderful - Funny Face (arr. for piano) by George Gershwin, Artis Wodehouse, Richard Dowling to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
Of Thee I Sing: Overture (Arr. D. Rose for Orchestra) | George Gershwin, Michael Tilson Thomas, Buffalo Philharmonic, Buffalo Philharmonic Orchestra | G Minor | 2 | 6A | 95 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Dvorák: 8 Humoresques, Op. 101, B. 187: No. 7 in G-Flat Major | Antonín Dvořák, Moura Lympany | B Major | 0 | 1B | 70 BPM | ||
Waltz For Debby | Bill Evans, Eugene Lees, Jean-Yves Thibaudet | F Major | 1 | 7B | 67 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
Jazz Suite No. 2: IV. Waltz 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | B♭ Major | 2 | 6B | 109 BPM | ||
24 Preludes For Piano, Op.11: No. 11 In B | Alexander Scriabin, Yuja Wang | B Major | 0 | 1B | 67 BPM | ||
Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria | Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin | B♭ Major | 0 | 6B | 78 BPM |
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