"Of Thee I Sing: Overture (Arr. D. Rose for Orchestra)" by George Gershwin, Michael Tilson Thomas, Buffalo Philharmonic, Buffalo Philharmonic Orchestra was released on 1976. With this song being about 5 minutes long, at 4:35, "Of Thee I Sing: Overture (Arr. D. Rose for Orchestra)" by George Gershwin, Michael Tilson Thomas, Buffalo Philharmonic, Buffalo Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Gershwin, Michael Tilson Thomas's "Michael Tilson Thomas Conducts Gershwin" album is number 7 out of 90. In terms of popularity, Of Thee I Sing: Overture (Arr. D. Rose for Orchestra) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Of Thee I Sing: Overture (Arr. D. Rose for Orchestra) by George Gershwin, Michael Tilson Thomas, Buffalo Philharmonic, Buffalo Philharmonic Orchestra to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adams: Two Fanfares for Orchestra: II. Short Ride in a Fast Machine | John Adams, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | B♭ Major | 5 | 6B | 146 BPM | ||
Hary Janos Suite: Háry János Suite: V. Intermezzo | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | D Minor | 1 | 7A | 109 BPM | ||
Trombone Concertino in E-Flat Major, Op. 4: III.Allegro maestoso | Ferdinand David, Christian Lindberg, Bamberg Symphony, Leif Segerstam | E♭ Major | 2 | 5B | 102 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Street Wakens - Morning Dance | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | G Major | 2 | 9B | 90 BPM | ||
Cuban Overture | George Gershwin, Chicago Symphony Orchestra, James Levine | G Major | 4 | 9B | 98 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prelude | Gabriel Fauré, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 0 | 9B | 81 BPM | ||
Finger Buster | Willie "The Lion" Smith, Morten Gunnar Larsen | A Minor | 2 | 8A | 128 BPM | ||
Symphony No.1 In D, Op.25 "Classical Symphony": 4. Finale (Vivace) | Sergei Prokofiev, Chamber Orchestra of Europe, Claudio Abbado | D Major | 2 | 10B | 84 BPM | ||
Polovetsian Dances from Prince Igor: Presto I | Alexander Borodin, George Szell, Cleveland Orchestra | D Minor | 3 | 7A | 109 BPM | ||
Clarinet Concerto: 1. Slowly And Expressively | Aaron Copland, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | F Major | 0 | 7B | 83 BPM |
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