Astor Piazzolla, Daniel Barenboim, Rodolfo Mederos, Héctor Console's 'Piazzolla: Estaciónes porteñas: I. Verano Porteño' came out on February 7, 1996. Piazzolla: Estaciónes porteñas: I. Verano Porteño is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. There are a total of 14 in the song's album "Piazzolla et al : Mi Buenos Aires querido". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. In terms of popularity, Piazzolla: Estaciónes porteñas: I. Verano Porteño is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Piazzolla: Estaciónes porteñas: I. Verano Porteño by Astor Piazzolla, Daniel Barenboim, Rodolfo Mederos, Héctor Console having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Military Tap | Mariano Mores, Victor Villadangos | A Minor | 1 | 8A | 117 BPM | ||
Albumblatt In E Minor, Op.117, MWV U134 | Felix Mendelssohn, Daniel Barenboim | E Minor | 1 | 9A | 68 BPM | ||
La cumparsita: La Cumparsita | Gerardo Matos Rodriguez, Georg Gulyas | E Minor | 1 | 9A | 130 BPM | ||
Villa-Lobos : Guitar Concerto : II Andantino e andante | Heitor Villa-Lobos, Sharon Isbin, José Serebrier, New York Philharmonic | E Minor | 1 | 9A | 76 BPM | ||
Suite No. 1 for Flute & Jazz Piano Trio: II. Sentimentale - Instrumental | Claude Bolling, Jean-Pierre Rampal | F Major | 1 | 7B | 60 BPM | ||
Violetas (arr. Christoph Denoth) | Julio Sagreras, Christoph Denoth | E Minor | 1 | 9A | 141 BPM | ||
Ilusiones perdidas | Ignacio Cervantes, Frank Fernández | E♭ Minor | 1 | 2A | 104 BPM | ||
V Bailongo | Jorge Luis Borges, Astor Piazzolla | C Major | 6 | 8B | 128 BPM | ||
Vocalise | Sergei Rachmaninoff, Andrew Litton, Branford Marsalis, English Chamber Orchestra | D♭ Minor | 1 | 12A | 82 BPM | ||
Ravel: Boléro, M. 81 | Maurice Ravel, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 0 | 7B | 64 BPM |
Section: 0.7215919494628906
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