Gerardo Matos Rodriguez, Georg Gulyas made "La cumparsita: La Cumparsita" available on February 26, 2016. The duration of La cumparsita: La Cumparsita is about 3 minutes long, at 3:21. Based on our data, "La cumparsita: La Cumparsita" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Spanish Guitar Music". In this album, this song's track order is #17. Based on our statistics, La cumparsita: La Cumparsita's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With La cumparsita: La Cumparsita by Gerardo Matos Rodriguez, Georg Gulyas having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Temptation of the Renaissance: Air - Variations - Dance | Stepan Rak, Vladimir Mikulka | A Minor | 0 | 8A | 132 BPM | ||
La Cumparsita (orch. T. Domario): La cumparsita (orch. T. Domario) | Gerardo Matos Rodriguez, Enrique Tellería, Barcelona Symphony and Catalonia National Orchestra, José Serebrier | G Minor | 1 | 6A | 118 BPM | ||
Variations on The Carnival of Venice | Paul Jeanjean, Ludmila Peterková, Irina Kondratenko | B♭ Major | 1 | 6B | 94 BPM | ||
Nocturnal After John Dowland, Op. 70: II. Very agitated | Benjamin Britten, Georg Gulyás | G Major | 1 | 9B | 116 BPM | ||
Abdelazar Suite, Z. 570: II. Rondo (arr. B. Kanengiser) | Henry Purcell, Bill Kanengiser, Los Angeles Guitar Quartet | D Minor | 1 | 7A | 92 BPM | ||
Suite Populaire Brésilienne: No 1 Chôros. | Heitor Villa-Lobos, Georg Gulyás | E Minor | 2 | 9A | 114 BPM | ||
Pasaje aragueno | Antonio Lauro, Victor Villadangos | A Major | 2 | 11B | 106 BPM | ||
Alfonsina y el mar (Arr. V. Coves for guitar) | Ariel Ramírez, Vicente Coves | E Minor | 0 | 9A | 78 BPM | ||
Cinco Piezas para Guitarra: Compadre | Victor Villadangos | A Minor | 1 | 8A | 128 BPM | ||
Bolero #3 | Strunz & Farah | B Minor | 5 | 10A | 91 BPM |
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