Gerardo Matos Rodriguez, Enrique Tellería, Barcelona Symphony and Catalonia National Orchestra, José Serebrier's 'La Cumparsita (orch. T. Domario): La cumparsita (orch. T. Domario)' came out on August 1, 2005. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Tango In Blue". In this album, this song's track order is #14. In terms of popularity, La Cumparsita (orch. T. Domario): La cumparsita (orch. T. Domario) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Cumparsita (orch. T. Domario): La cumparsita (orch. T. Domario) by Gerardo Matos Rodriguez, Enrique Tellería, Barcelona Symphony and Catalonia National Orchestra, José Serebrier having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El Vuelo del Moscardón, Op.57 (De "Casino") | Orquesta Philarmónica de Conciertos | D Minor | 1 | 7A | 152 BPM | ||
La Cumparsita | Gerardo Matos Rodriguez, Valdemar & Villads | G Minor | 1 | 6A | 90 BPM | ||
Les yeux noirs | Daniel Colin | D Minor | 4 | 7A | 201 BPM | ||
La Cumparsita | Gerardo Matos Rodriguez, Omar Torres, Alberto Cabañas, Raul Nofri, Ruben Mario Molino, Claudio Oscar Zemp, Raul Salani, Pedro Mario Garcia, Carlos Pérez | B♭ Major | 0 | 6B | 141 BPM | ||
Violino tzigano | Leo Nucci, Salotto Ottocento Ensemble | C Major | 2 | 8B | 47 BPM | ||
El Lago De Los Cisnes - Op. 20, Acto II: 10. Scene (Moderato) | Pyotr Ilyich Tchaikovsky, Inma Shara | B Minor | 1 | 10A | 73 BPM | ||
Verdi: La traviata, Act 1: 'Libiamo ne' lieti calici' (Alfredo, Violetta, Chorus) | Giuseppe Verdi, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | B♭ Major | 3 | 6B | 107 BPM | ||
Quiero Ser Tu Sombra | Quatromano, Trio Garufa | A Minor | 4 | 8A | 96 BPM | ||
Otchi Tchornye | Roby Lakatos & his Gipsy Band | A Minor | 6 | 8A | 85 BPM | ||
Recuerdos De Alhambra (Tarrega) | Edoardo Catemario | A Major | 0 | 11B | 86 BPM |
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