"6 Lieder, Op. 85: No. 6, In Waldeinsamkeit (Arr. Reger for Piano)" by Johannes Brahms, Rudolf Buchbinder was released on March 22, 2024. The duration of 6 Lieder, Op. 85: No. 6, In Waldeinsamkeit (Arr. Reger for Piano) is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. 6 Lieder, Op. 85: No. 6, In Waldeinsamkeit (Arr. Reger for Piano)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 28 in Brahms – Reger: Song Transcriptions by Johannes Brahms, Rudolf Buchbinder. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. 6 Lieder, Op. 85: No. 6, In Waldeinsamkeit (Arr. Reger for Piano) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 6 Lieder, Op. 85: No. 6, In Waldeinsamkeit (Arr. Reger for Piano) by Johannes Brahms, Rudolf Buchbinder is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lakmé: Flower Duet (Arr. Naoumoff for Piano) | Léo Delibes, Lang Lang | B Major | 1 | 1B | 129 BPM | ||
Purcell: Chacony in G Minor, Z. 730 | Henry Purcell, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
3 Romances sans paroles, Op. 17: Romance No. 1 in A-Flat Major - Andante quasi allegretto | Gabriel Fauré, Lucas Debargue | B♭ Minor | 0 | 3A | 77 BPM | ||
Mozart: Piano Concerto No. 27 in B-Flat Major, Op. 17, K. 595: III. Allegro | Wolfgang Amadeus Mozart, Rudolf Buchbinder, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 1 | 6B | 106 BPM | ||
Orphée - Arr. for Piano duet / Act 2: VII. Interlude musical - Le retour chez Orphée | Philip Glass, Katia Labèque, Marielle Labèque | F Major | 2 | 7B | 133 BPM | ||
Intermezzo In E Flat Major, Op. 117 No.1 | Johannes Brahms, Kun-Woo Paik | D♭ Major | 0 | 3B | 71 BPM | ||
Holst: St. Paul's Suite, Op. 29 No. 2: I. Jig | Gustav Holst, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 2 | 9B | 151 BPM | ||
El cant dels ocells (Arr. Dueñas for Violin and Piano) | Traditional, María Dueñas, Itamar Golan | A Minor | 1 | 8A | 81 BPM | ||
Piano Sonata No. 11 in A Major, K. 331 "Alla turca": III. Alla turca. Allegretto | Wolfgang Amadeus Mozart, YUNDI | B♭ Major | 0 | 6B | 79 BPM | ||
12 Monferrinas, Op. 49: III. Allegretto con espressione | Muzio Clementi, Howard Shelley | A♭ Major | 0 | 4B | 72 BPM |
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