Rinaldo Alessandrini, Concerto Italiano, Andrés Montilla, Luca Cervoni, Gabriele Lombardi's 'In tribulationibus, in angustiis: No. 5, O mons delitiarum' had a release date set for June 21, 2024. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. In tribulationibus, in angustiis: No. 5, O mons delitiarum's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 38 in the song's album "Stradella: Mottetti". In this album, this song's track order is #10. Furthermore, we believe that the track originated from France. In terms of popularity, In tribulationibus, in angustiis: No. 5, O mons delitiarum is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With In tribulationibus, in angustiis: No. 5, O mons delitiarum by Rinaldo Alessandrini, Concerto Italiano, Andrés Montilla, Luca Cervoni, Gabriele Lombardi having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Convocamini, congregamini: No. 8, Cum iucunditate | Rinaldo Alessandrini, Concerto Italiano, Monica Piccinini, Sonia Tedla, Francesca Cassinari, Andrés Montilla, Luca Cervoni, Gabriele Lombardi | A Major | 3 | 11B | 93 BPM | ||
Missa Quadragesimalis, MH 552: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | E Major | 0 | 12B | 84 BPM | ||
Lille Almanak – Little Almanac 3 | Finn Mathiassen, Harald Herdal, Jens Peter Jacobsen, Musikstuderendes Kammerkor | G Minor | 0 | 6A | 75 BPM | ||
L'Olimpiade, RV 725, Act I, Scene 4: Recitativo | Antonio Vivaldi, Rinaldo Alessandrini, Concerto Italiano, Marianna Kulikova, Sonia Prina | D♭ Minor | 3 | 12A | 99 BPM | ||
Sonata No. 1 in F Major, ZWV 181, 1: I. Adagio ma non troppo | Jan Dismas Zelenka, Theo Plath, Armand Djikoloum, Olivier Stankiewicz | F Major | 1 | 7B | 143 BPM | ||
Kyrie: III. Kyrie | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | ||
Farewell the Bliss | The Royal Wind Music | B♭ Minor | 1 | 3A | 91 BPM | ||
Crucifixus a 8 voci | Antonio Lotti, Ensemble Zene, Bruno Kele-Baujard | C Major | 1 | 8B | 124 BPM | ||
Moro, lasso, al mio duolo, madrigal for 5 voices (Book 6), W. 6/74 | Carlo Gesualdo, Rinaldo Alessandrini, Concerto Italiano | F Minor | 1 | 4A | 130 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad manus: Aria "In cruore tuo lotum" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM |