Modest Mussorgsky, Gregor Radev, Wiener Philharmoniker, Herbert von Karajan's 'Boris Godounov / Prologue: Nu, shtozh vy?' came out on January 1, 1971. The duration of Boris Godounov / Prologue: Nu, shtozh vy? is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Boris Godounov / Prologue: Nu, shtozh vy?'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Modest Mussorgsky, Nicolai Ghiaurov, Wiener Philharmoniker, Herbert von Karajan's "Mussorgsky: Boris Godunov" album is number 1 out of 53. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Boris Godounov / Prologue: Nu, shtozh vy?'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Boris Godounov / Prologue: Nu, shtozh vy? by Modest Mussorgsky, Gregor Radev, Wiener Philharmoniker, Herbert von Karajan to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Raymonda, Op. 57: Act II - Variation I | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D♭ Major | 0 | 3B | 83 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
The Seasons, Op. 37b, TH 135: XI. November. Troika | Pyotr Ilyich Tchaikovsky, Modest Mussorgsky, Barry Douglas | G Major | 1 | 9B | 123 BPM | ||
Die Fledermaus: Overture | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 109 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
Fountains Of Rome, P. 106: 2. The Triton Fountain In The Morning | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 74 BPM | ||
Pictures At An Exhibition (Orch. Ravel): 6. Samuel Goldenberg und Schmuÿle | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Minor | 1 | 11A | 114 BPM | ||
Piano Concerto No.23 In A, K.488 - Cadenza: Feruccio Busoni: 1. Allegro | Wolfgang Amadeus Mozart, Ferruccio Busoni, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | A Major | 1 | 11B | 140 BPM |
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