"Strauss, R: An Alpine Symphony, Op. 64: XII. On the Summit" by Minnesota Orchestra, Edo de Waart was released on November 8, 1999. With this song being about 5 minutes long, at 4:40, "Strauss, R: An Alpine Symphony, Op. 64: XII. On the Summit" by Minnesota Orchestra, Edo de Waart is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 32 in the song's album "R.Straus - Orchestral Works". In this album, this song's track order is #12. Strauss, R: An Alpine Symphony, Op. 64: XII. On the Summit is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strauss, R: An Alpine Symphony, Op. 64: XII. On the Summit by Minnesota Orchestra, Edo de Waart having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Swan Lake, Op. 20, TH 12, Act I: No. 5a, Pas de deux: Intrada - Valse | Pyotr Ilyich Tchaikovsky, Minnesota Orchestra, Antal Doráti | D Major | 1 | 10B | 100 BPM | ||
Piano Quartet in E-flat Major, Op.16: II. Andante cantabile | Isaac Stern, Jaime Laredo, Yo-Yo Ma, Emanuel Ax | B♭ Major | 1 | 6B | 62 BPM | ||
La Mer, L. 109, CD 111: II. Jeux de vagues | Claude Debussy, Stéphane Denève, Royal Scottish National Orchestra | A Major | 0 | 11B | 67 BPM | ||
Ein Sommernachtstraum, Op. 61, MWV M13: Act II: Entr'acte: Scherzo | Felix Mendelssohn, Slovak Philharmonic, Anthony Bramall | F Major | 1 | 7B | 60 BPM | ||
Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | E Minor | 1 | 9A | 154 BPM | ||
Strauss, R: An Alpine Symphony, Op. 64: VIII. In a Mountain Pasture | Minnesota Orchestra, Edo de Waart | E♭ Major | 0 | 5B | 81 BPM | ||
Grand Pianola Music: On the Great Divide | John Adams | E♭ Major | 2 | 5B | 84 BPM | ||
Klarinettenkonzert Nr. 1 f-Moll: I. Allegro | Carl Maria von Weber, Martin Fröst, Tapiola Sinfonietta, Jean-Jacques Kantorow | F Minor | 1 | 4A | 149 BPM | ||
Requiem, Op. 48: V. Pie Jesus | Gabriel Fauré, Christiane Oelze, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | B♭ Major | 0 | 6B | 79 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Fabrizio von Arx, Christian Benda | E♭ Major | 1 | 5B | 133 BPM |
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