Franz Joseph Haydn, Alban Berg Quartett made "Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (c) Variation II" available on January 9, 1996. With Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (c) Variation II being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Franz Joseph Haydn, Alban Berg Quartett's "Haydn - String Quartets, Op 76 Nos 2-4" album is number 8 out of 16. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (c) Variation II is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (c) Variation II by Franz Joseph Haydn, Alban Berg Quartett to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in E Major, Kk. 20: Presto | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM | ||
Symphony in D Major, Op. 18, No. 2: IV. Allegro assai | Muzio Clementi, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 146 BPM | ||
Mozart: String Quartet No. 22 in B-Flat Major, K. 589 "Prussian Quartet No. 2": I. Allegro | Wolfgang Amadeus Mozart, Alban Berg Quartett | F Major | 1 | 7B | 132 BPM | ||
Keyboard Trio No. 24 in D Major, Hob.XV:24: III. Allegro, ma dolce | Franz Joseph Haydn, Kungsbacka Piano Trio | D Major | 1 | 10B | 156 BPM | ||
Sonata No. 15 in C Major, I. Allegro | Maria João Pires | C Major | 1 | 8B | 136 BPM | ||
Viola Concerto in D Major: I. Allegro | Franz Anton Hoffmeister, Victoria Chiang, Baltimore Chamber Orchestra, Markand Thakar | D Major | 1 | 10B | 118 BPM | ||
Boccherini: Cello Concerto No. 7 in G Major, G. 480: I. Allegro | Luigi Boccherini, Steven Isserlis, Ostrobothnian Chamber Orchestra, Juha Kangas | F Major | 5 | 7B | 107 BPM | ||
Harpsichord Concerto No.1 in D Minor, BWV 1052: II. Adagio | Johann Sebastian Bach, Hélène Grimaud, Deutsche Kammerphilharmonie Bremen | D Minor | 2 | 7A | 161 BPM | ||
Mass No. 10 in C Major, Hob. XXII:9, "Missa in tempore belli", "Paukenmesse", "Kriegsmesse": Gloria. Qui tollis peccata mundi | Joseph Haydn, Ann Hoyt, Kirsten Sollek, Daniel Neer, Richard Lippold, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | D♭ Minor | 2 | 12A | 81 BPM | ||
String Quartet No. 2 in A Minor, Op. 13, MWV R22: IV. Presto | Felix Mendelssohn, Emerson String Quartet | A Major | 5 | 11B | 83 BPM |
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