- BPM
- 161
- Key
- D Minor
- Camelot
- 7A
Harpsichord Concerto No.1 in D Minor, BWV 1052: II. Adagio - Johann Sebastian Bach, Hélène Grimaud, Deutsche Kammerphilharmonie Bremen Information
- Acousticness
- 99%
- Danceability
- 44%
- Energy
- 20%
- Instrumentalness
- 94%
- Liveness
- 14%
- Loudness
- 59%
- Speechiness
- 4%
- Valence
- 93%
- Popularity
- 7%
- Loudness
- -24.473 dB
Summary
On January 1, 2008, the song "Harpsichord Concerto No.1 in D Minor, BWV 1052: II. Adagio" was released by Johann Sebastian Bach, Hélène Grimaud, Deutsche Kammerphilharmonie Bremen. Since Harpsichord Concerto No.1 in D Minor, BWV 1052: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 17 in Bach by Johann Sebastian Bach, Hélène Grimaud, Deutsche Kammerphilharmonie Bremen. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Harpsichord Concerto No.1 in D Minor, BWV 1052: II. Adagio is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Harpsichord Concerto No.1 in D Minor, BWV 1052: II. Adagio BPM
The tempo marking of Harpsichord Concerto No.1 in D Minor, BWV 1052: II. Adagio by Johann Sebastian Bach, Hélène Grimaud, Deutsche Kammerphilharmonie Bremen is Vivace (lively and fast), since this song has a tempo of 161 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
Harpsichord Concerto No.1 in D Minor, BWV 1052: II. Adagio Key
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Kreisleriana, Op.16: 4. Sehr langsam | Robert Schumann, Martha Argerich | C Minor | 0 | 5A | 53 BPM | |
 | Piano Concerto in A Minor, Op. 54: II. Intermezzo (Andantino grazioso) | Robert Schumann, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 70 BPM | |
 | Schumann: Cello Concerto in A Minor, Op. 129: II. Langsam | Robert Schumann, Jacqueline du Pré, Daniel Barenboim, New Philharmonia Orchestra | F Major | 1 | 7B | 85 BPM | |
 | Vieuxtemps: Violin Concerto No. 4 in D Minor, Op. 31: I. Andante | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | B♭ Major | 1 | 6B | 98 BPM | |
 | Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | |
 | Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.8 in E flat minor BWV853 | Daniel Barenboim | A♭ Minor | 0 | 1A | 70 BPM | |
 | Suite For Cello And Orchestra, Op. 16: I. Prélude (moderato assai) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | D Minor | 0 | 7A | 77 BPM | |
 | Violin Concerto in D Minor, Op. 7 No. 1: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | D♭ Minor | 2 | 12A | 173 BPM | |
 | Aria variata (alla maniera italiana) in A Minor, BWV 989: Variation I. Largo | Johann Sebastian Bach, Víkingur Ólafsson | E Major | 1 | 12B | 85 BPM | |
 | Partita No. 1 in B-Flat Major, BWV 825: VI. Gigue | Johann Sebastian Bach, Martin Helmchen | E♭ Minor | 3 | 2A | 176 BPM |
- ISRC
- DEN960801712
- Label
- L-M Records/RCA Records
Section: 0.60205078125
End: 0.6069352626800537