- BPM
- 135
- Key
- F♯ Major
- Camelot
- 2B
The Fairy Queen, Z. 629 / Act 1: Prelude (I) - Henry Purcell, English Baroque Soloists, John Eliot Gardiner Information
- Acousticness
- 91%
- Danceability
- 54%
- Energy
- 13%
- Instrumentalness
- 99%
- Liveness
- 14%
- Loudness
- 55%
- Speechiness
- 5%
- Valence
- 91%
- Popularity
- 15%
- Loudness
- -26.899 dB
Summary
On January 1, 1982, the song "The Fairy Queen, Z. 629 / Act 1: Prelude (I)" was released by Henry Purcell, English Baroque Soloists, John Eliot Gardiner. With The Fairy Queen, Z. 629 / Act 1: Prelude (I) being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 61 in the song's album "Purcell: The Fairy Queen". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Based on our statistics, The Fairy Queen, Z. 629 / Act 1: Prelude (I)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The Fairy Queen, Z. 629 / Act 1: Prelude (I) BPM
With The Fairy Queen, Z. 629 / Act 1: Prelude (I) by Henry Purcell, English Baroque Soloists, John Eliot Gardiner having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
The Fairy Queen, Z. 629 / Act 1: Prelude (I) Key
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Concerto for 2 Cellos, Strings and Continuo in G minor, RV 531: 2. Largo | Antonio Vivaldi, Anner Bylsma, Anthony Pleeth, Academy of Ancient Music, Christopher Hogwood | A♭ Major | 0 | 4B | 75 BPM | |
 | Dido and Aeneas / Act 1: "Fear no danger" | Henry Purcell, Emma Kirkby, Julianne Baird, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | B Major | 0 | 1B | 130 BPM | |
 | Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute (Allegro) | Ludwig van Beethoven, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | D Major | 0 | 10B | 76 BPM | |
 | Matthäus-Passion, BWV 244 / Zweiter Teil: No. 68 "Wir setzen uns mit Tränen nieder" | Johann Sebastian Bach, The Monteverdi Choir, The London Oratory Junior Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 2 | 10A | 78 BPM | |
 | St. John Passion, BWV 245: Part II: Recitative: Da fuhreten sie Jesum (Evangelist, Pilatus) - Ware dieser nicht ein Ubeltater (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A♭ Minor | 2 | 1A | 106 BPM | |
 | Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): I. Adagio | Johann Gottlieb Goldberg, London Baroque | D Major | 0 | 10B | 87 BPM | |
| St. John Passion, BWV 245: Part I: Recitative: Auf dass das Wort erfullet wurde (Evangelist, Jesus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Minor | 0 | 11A | 80 BPM | |
 | Gloria, R. 589: Et in terra pax hominibus | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B♭ Minor | 1 | 3A | 59 BPM | |
![Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: I. [Allegro] by Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton](https://i.scdn.co/image/ab67616d00001e02f90d6525c5a62ca2c4975b93) | Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: I. [Allegro] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton | A♭ Minor | 2 | 1A | 89 BPM | |
 | Dido and Aeneas - Realised: Imogen Holst & Benjamin Britten - Act 1: "Fear no danger to ensue" | Henry Purcell, Norma Burrowes, Felicity Lott, The London Opera Chorus, Aldeburgh Festival Strings, Steuart Bedford | C Major | 2 | 8B | 94 BPM |
- ISRC
- DEF058139910
- Label
- L-M Records/RCA Records
Section: 0.7612202167510986
End: 0.7671902179718018