Michele Fleta's 'Ay, Ay Ay, Michele Fleta' came out on November 30, 2010. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 40 in the song's album "Opera for ever new additions". In this album, this song's track order is #33. Ay, Ay Ay, Michele Fleta is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ay, Ay Ay, Michele Fleta by Michele Fleta having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Los Gavilanes - Flor Roja | Miguel Fleta | G Major | 1 | 9B | 81 BPM | ||
Rigoletto: "la Donna E' Mobile" | Enrico Caruso | B♭ Minor | 5 | 3A | 78 BPM | ||
Luisa Miller: Oh! fede negar potessi - Quando le sere al placido | Giuseppe Verdi, Michael Fabiano, London Philharmonic Orchestra, Enrique Mazzola | B♭ Major | 2 | 6B | 169 BPM | ||
Parlami d'amore, Mariu (orch. L. Logi) | Cesare Andrea Bixio, L. Logi, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | F Major | 1 | 7B | 67 BPM | ||
South Pacific - Original Broadway Cast Recording: This Was Nearly Mine - Voice | Richard Rodgers, Ezio Pinza, Salvatore Dell'Isola | C Major | 3 | 8B | 79 BPM | ||
Samson et Dalila, Op. 47: Act III: Salut! Salut au juge d'Israel... | Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis Fourestier | E♭ Major | 2 | 5B | 113 BPM | ||
El Rey Que Rabió: "¡Gran Dios!" - Remastered | Miguel Ramos Carrión, Vital Aza, Ruperto Chapí, Pilar Lorengar, Tony Rosado, Agustin S. Luque, Ataúlfo Argenta, Jose Perera, Julian Perera, Gran Orquesta Sinfonica | E♭ Major | 7 | 5B | 73 BPM | ||
Sole e amore, SC 63 (Arr. for Voice & Orchestra by Johannes X. Schachtner) | Giacomo Puccini, Charles Castronovo, Munich Radio Orchestra, Ivan Repušić | F♯ Minor | 3 | 11A | 93 BPM | ||
L'alba separa dalla Luce L'ombra | Paul Potts | G Minor | 3 | 6A | 73 BPM | ||
Les Pêcheurs de perles, Act I: Je crois entendre encore (Nadir) | Georges Bizet, Alain Vanzo, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | A Minor | 1 | 8A | 86 BPM |
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