Arthur Honegger, Christian Tetzlaff, Christian Poltéra's 'Sonatina for Violin and Cello, H. 80: III. Allegro' came out on October 3, 2007. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Arthur Honegger, Christian Poltéra, Tuomas Ollila-Hannikainen's "Honegger: Cello Concerto / Cello Sonata / Cello Sonatina / Sonatina for Violin and Cello" album is number 10 out of 10. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, Sonatina for Violin and Cello, H. 80: III. Allegro's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Sonatina for Violin and Cello, H. 80: III. Allegro by Arthur Honegger, Christian Tetzlaff, Christian Poltéra to be Allegro (fast, quick, and bright) because the track has a tempo of 145 BPM, a half-time of 72BPM, and a double-time of 290 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
25 Études faciles et progressives, Op. 100: No. 23, Retour | Franz Burgmüller, The Gerst Ensemble | B♭ Major | 0 | 6B | 63 BPM | ||
弦楽のためのアダージョ (バーバー)[式後の音楽] | ソフィア交響楽団 | B♭ Minor | 1 | 3A | 78 BPM | ||
Trois Chansons de René Morax pour Chant et Piano (1926): No. 1, Chanson des Sirènes | Arthur Honegger, Holger Falk, Steffen Schleiermacher | E Minor | 0 | 9A | 106 BPM | ||
Bliss: Cello Concerto: II. Larghetto | Arthur Bliss, Arto Noras, Bournemouth Symphony Orchestra, Paavo Berglund | C Major | 1 | 8B | 95 BPM | ||
From Shakespeare, Op. 76: I. Introduction. Andante moderato "Zas, mrtvé postavy, mne oblétáte…" | Josef Bohuslav Foerster, Janacek Philharmonic Orchestra, Marek Štilec | G Major | 0 | 9B | 113 BPM | ||
Pictures at an Exhibition: Tuileries | Nikolai Rimsky-Korsakov, Eugene Ormandy, Philadelphia Orchestra | D Major | 0 | 10B | 137 BPM | ||
2 Romances sentimentales, H. 171a: No. 2, Si le mal d'amour | Arthur Honegger, Claudia Patacca, Nick Ross | B♭ Minor | 1 | 3A | 74 BPM | ||
Fantasia for Cello & Orchestra, W454: III. Allegro expressivo | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | E♭ Major | 1 | 5B | 133 BPM | ||
Hassan, DCW 8, Act 5 Scene 2: Prelude to the last scene. With flowing movement | Frederick Delius, Britten Sinfonia Voices, Britten Sinfonia, Jamie Phillips | C Major | 0 | 8B | 84 BPM | ||
The Lark Ascending: IV. Senza misura | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | D Minor | 2 | 7A | 90 BPM |
Section: 0.9949796199798584
End: 0.9986169338226318